دانلود کتاب Subjectivity: Filmic Representation and the Spectator's Experience

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Contents\nEditorial\nAcknowledgments\nIntroduction: Rethinking Subjectivity in Film\nPart I From Mind to Film, from Film to Mind\nThe Cinema as Art of the Mind: Hugo Münsterberg, First Theorist of Subjectivity in Film\nThe Representation of Experience in Cinema\nBeyond Subjectivity: The Film Experience\nPart II Ways of Expressing Subjectivity\nThe Man Who Wasn’t There: The Production of Subjectivity in Delmer Daves’ Dark Passage\nFrom Aesthetic Experience to the Loss of Identity, in Three Steps\nRobert Bresson and the Voices of an Inner World: “I” Can Never Be “You,” or the Impossible Identification\nThe Silence of the Lenses: Blow Up and the Subject of Photography\nPart III Subjectivity and the Epistemology of Film Studies\nBeyond Subjectivity. Bakhtin’s Dialogism and the Moving Image\nImaginary Subject\nA Philosophical Approach to Subjectivity in Film Form\nPart IV Conversation Subjectivity in Artistic Coupling\nConversation with Maria Klonaris and Katerina Thomadaki\nNotes\nGeneral Bibliography\nNotes on Contributors\nIndex of Names\nIndex of Film Titles\nIndex of Subjects