توضیحاتی در مورد کتاب Symbolic Narratives / African Cinema: Audiences, Theory and the Moving Image
نام کتاب : Symbolic Narratives / African Cinema: Audiences, Theory and the Moving Image
عنوان ترجمه شده به فارسی : روایات نمادین / سینمای آفریقا: مخاطبان ، تئوری و تصویر متحرک
سری :
نویسندگان : June Givanni (editor)
ناشر : British Film Institute
سال نشر : 2001
تعداد صفحات : 273
ISBN (شابک) : 0851708552 , 9780851708553
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 16 مگابایت
بعد از تکمیل فرایند پرداخت لینک دانلود کتاب ارائه خواهد شد. درصورت ثبت نام و ورود به حساب کاربری خود قادر خواهید بود لیست کتاب های خریداری شده را مشاهده فرمایید.
فهرست مطالب :
Contents
List of Contributors
Preface and Acknowledgements
Abbreviations
Part One: Contexts
1 Introduction: African Cinema and the Emergent Africa • Imruh Bakari
2 Africa, the West and the Analogy of Culture: The Cinematic Text after Man 25Sylvia Wynter
Part Two: Arguments
3 The Iconography of African Cinema: What Is It and How Is It Identified?
Introduction • Colin Prescod
The Iconography of West African Cinema • Manthia Diawara
Respondents • John Akomfrah and Asma El Bakri
4 Is the Decolonisation of the Mind a Prerequisite for the Independence of Thought and the Creative Practice of African Cinema?
Introduction • Ngugi Wa Thiong’o
The Intolerable Gift • Teshome Gabriel
Respondents • Nouri Bouzid and Manama Hima
5 What is the Link between Chosen Genres and Developed Ideologies in African Cinema?
Introduction • Imruh Bakari
African Cinema and Ideology: Tendencies and Evolution • Gerid Boughedir
Respondents • Idrissa Ouedraogo, Ella Shohat and Haile Gerima
6 African Cinema and Postmodernist Criticism
Introduction • Roy Armes
Searching for the Postmodern in African Cinema • Clyde Taylor
Respondents • Kobena Mercer and Bassek Ba Kobhio
7 Information Technology, Power, Cinema and Television in Africa
Introduction • Jim Pines
Power, Cinema and TV in Africa • John Badenhorst
Respondents • Claire Andrade-Wathins and Ola Balogun
8 Can African Cinema Achieve the Same Level of Indigenisation as Other Popular African Art Forms?
Introduction • Mbye Cham
Commentary • Ousmane Sembène
Discussion • Gaston Kaboré
Respondents • Samir Farid and Cheick Oumar Sissoko
9 Audiences and the Critical Appreciation of Cinema in Africa
Introduction • Rose Issa
Unwinding the African Dream on African Ground • Tafataona Mahoso
Respondents • Ahmed Attia and Nii Kwate Owoo
Part Three: Reflections
10 Weapons of Resistance • Tahar Cheriaa
11 The Homecoming of African Cinema • Ngugi Wa Thiong’o
Part Four: Information
Appendix A: Conference Structure
Appendix B: Conference Screenings
Index