دانلود کتاب Technológos in Being: Radical Media Archaeology and the Computational Machine

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Title Page\nCopyright Page\nContents\nList of figures\nPreface: The Structure of Investigating Technológos\nAcknowledgements\nChapter 1: Introduction: Radical media archaeology\nPart One: Radical media archaeology as a method of media science, and as techno-logical practice\n Chapter 2: Towards a more radical understanding of media as technology and logotechnics\n Rethinking ‘technology’ beyond Heidegger\n Techno-mathematical implementations: Disembodied lógos\n Arché and lógos of electronic media\n Materialist media archaeology\n Radical technoanalysis: Theory and method\n Chapter 3: The hands of lógos: ‘Digitality’, literally\n Relieving the optical signal from human subjectivity: Case study photography\n Beyond anthropocentrism in the ‘hands on media’ approach: ‘Manipulation’, and technology\n Typewriting: The de-coupled relation of the hand to writing\n When lógos encounters the machine: The discretizing keyboard\n Digitality instead of the whole ‘hand’: Fingers and numbers\n Chapter 4: Human performance vs. technical operation: Mechanically informed music from the past\n Automatic invariance: Baroque music machines\n Audio-technical ‘archiving’ of musical presence\n Phono-graphical analysis vs. hermeneutic interpretation\n Techno-logical tradition of media music\n Chapter 5: (Re)enactments of technológos\n Analytic media diagrammatics\n Techno-scenic knowledge: Media theatre\n Re-enacting the technological past\n Manual experimentation of time with machines\n Symbolical re-enactment of machines: From Yugo back to Babbage\n Chapter 6: Technical logification of the optical image\n Escaping the control of lógos: Video as a material memory medium\n Digital logification of the video image\n Video compression\n Human and/or machine ‘vision’: Computer graphics\n Is there a lógos within technical images? Machine vision\n Chapter 7: Discretely addressing media artefacts\n ‘Post-digital’ nostalgia for materiality? Towards a redefinition of the ‘archaeological’ artefact\n Archaeologizing the present: The alógos of video noise, and digital sound compression\n Object and agency of media archaeology: The Restauration of early television recordings\n ‘E.T.’ as topic of computer (game) archaeology, and microprocessor ageing\n Really ‘forensic’ media archivology: Reading a ROM\nPart Two: Radical media archaeology in close alliance with operative logotechnics (computing)\n Chapter 8: Technológos from action: The matter of computation and the (with)inhuman symbolic machine\n Machine operations: Redefining the ‘human’ from within\n Mechanization of the calculating mind: Karsakov 1832\n The calculating human as a computational machine ‘it’self\n Where algorithmic reasoning actually takes place: Techno-mathematical computing\n Algorithmic computation in media archaeological perspective\n How close can computing come to the material world?\n Chapter 9: Time-discrete computing as articulation of technológos\n Listening to computational time\n Challenging the ‘time’ axis: Computation\n Lógos in technical being: Actual computing\n Counting (and) time\n Time-discrete technical procedures: Cinematography, computing\n Chapter 10: A new kind of ‘love for lógos’: Material media philology as a more radical understanding of software\n Media philology as critical enquiry of digital humanities practice\n Operative encounters of lógos and matter: Algorithms as ‘software’\n The unexpected behaviour of code\n ‘Text’ in the age of computer-based literacy: Software\n Second-order lógos? The literary code comment\n Digital anachronism\n Chapter 11: Experimental technológos: Humanities of the digital\n ‘Digital humanities’ avant la Lettre: Archaeology proper and techno-mathematical reason\n Counting by numbers instead of story-telling: The lógos of Markov chains in information aesthetics\n ‘Hermeneutics’ after Shannon: Algorithmic experimentation of text and speech\n Rooting digital humanities: Techno-mathematics\n New methods of content retrieval: Algorithmic data identification\n ‘Active archives’\n The self-organizing archive\n Media archivology: Kittler’s case\n Chapter 12: Informatized matter: Computing for and as architecture\n Architectural matter and informational lógos\n The cybernetization of architecture\n Architecture in terms of information aesthetics\n Opening/closing ‘gates’: The flip-flop\n Towards an archaeology of digital architectures from within\n Algorithmicized architectures\n Architecturally embedded lógos vs. autonomous algorithmic thought\n Computational vs. computing ‘architectures’\n Resubstantiation of code into matter: 3D printing\n Chapter 13: There is no ‘memory’ for technológos: Digital storage beyond the ‘memory’ metaphor, and its return in/as machine learning\n Only in quotation marks: Digital ‘memory’ from a technological view\n Not yet memory, or ‘memory’ no more? Intermediary storage, delay lines\n Neural ‘memory’, reformulated in technical terms\n The return of ‘memory’ in artificial intelligence\n A media archaeological prototype of machine learning: The ‘perceptron’\n Human and/or nonhuman sorting of images by association: Pockets Full of Memories\n Chapter 14: Against metaphysics in artificial intelligence: A reminder of its technological ground\n The neocybernetic model and its electro-technical a priori\n ‘From’ machine analysis ‘to’ statistical AI? Neural nets and/or the algorithmic approach to intelligence\n How ‘deep’ is machine intelligence? ‘Emergent’ artificial knowledge and the metaphysical risk\n When the human voice is revealed as technológos: The anthropomorphic allure of machine ‘learning’\n Chapter 15: Preliminary conclusions from the question concerning technológos\n Arché-lógos, technically revealed from matter itself\n Does technológos still matter? Discussing the limits of technological analysis\n Technológos within the Anthropocene\n For a techno-logically renewed media materialism\nReferences\nIndex