دانلود کتاب Textual Responses to German Unification: Processing Historical and Social Change in Literature and Film

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Acknowledgements\nIntroduction\n“Schreiber, was siehst du?” Processing Historical and Social Change\nAuthors and Their Worlds\nThe Journey Eastward: Helga Schütz’ Vom Glanz der Elbe and the Mnemonic Politics of German Unification\n“ob es sich bei diesem Experiment um eine gescheiterte Utopie oder um ein Verbrechen gehandelt hat”: Enlightenment, Utopia, the GDR and National Socialism in Monika Maron’s Work From Flugasche to Pawels Briefe\nRemembering the GDR: Memory and Evasion in Autobiographical Writing from the Former GDR\n“Gefälle in der Landschaft”–On the Critique of Real Existing Capitalism in Volker Braun’s Texts\nComedic Bestseller or Insightful Satire: Taking the Interview and Autobiography to Task in Thomas Brussig’s Helden wie wir\nMultiple Voices–Generational Views\n“Man muß jetzt laut schreien, um gehört zu werden”: Stefan Heym, Walter Jens, Helga Königsdorf: An intellectual opposition?\nEveryday Stories of Hope and Despair in Eastern Germany: Kerstin Hensel and Ingo Schulze Write about Life after the Wende\n“Ko...Ko Konolialismus,” said the giraffe: Humorous and Satirical Responses to German Unification\nTheatrical Confrontations with the Wende and Post-Unification Germany: Strauß, Pohl, and Hein\nCinematic Responses\nMastering the Past and Present: Problems of Memory in Postwar and Post-Wende German Cinema\nGhosts of Babelsberg: Narrative strategies of the Wendefilm\nGerman-Germanness: On Borders, Hybridity, and Sameness in Margarethe von Trotta’s Das Versprechen\nHistory as Melodrama: German Division and Unification in Two Recent Films\nSonnenallee: Taking Comedy Seriously in Unified Germany\nNotes on Contributors\nIndex of Names