دانلود کتاب The Applied Theatre Reader

فهرست مطالب :

Cover
Half Title
Title Page
Copyright Page
Table of Contents
Notes on contributors
Acknowledgements
Prologue
Part 1
1. Applied Thetre: An Introduction
Defining applied theatre
A brief history of applied theatre
The politics of applied theatre
Bibliography
Part 2: Poetics of representation
2. Introduction to Poetics of Representation
3. Rabelais and his World
Notes
4. Brecht on Theatre
Notes to the opera Aufstieg und Fall der Stadt Mahagonny
Extracts from A Short Organum for the Theatre
Appendices to the Short Organum
Note
5. Clown, Opera, the Atomic Bomb and the Classroom
The event
The challenge
Creating a working team
The class
Why clown
Bibliography
Notes
6. Provoking Intervention
7. ‘Lift Your Mask’: Geese Theatre Company in
Performance
Bibliography
Notes
8. Doing Time: A personal and Practical Account of Making Performance Work in
Prisons
Doing time in the UK
Doing time in Brazil
Getting out
Part 3 : Ethics of representation
9. Introduction to Ethics of Representation
Bibliography
Notes
10. Commentary on the War Plays
Introduction
Palermo improvisation
Radical innocence
We are sent to the theatre
11. On the Political
Agonistic confrontation
12. Choosing the Margin as a Space of Radical Openness
13. Representing the Other
Negotiating the problems of Othering
Speaking only for ourselves
Celebrating Otherness
Destabilizing Otherness
Interrupting Otherness
Bibliography
14. ‘Fit for a Child?’: Artistry and Didacticism in a Theatre in Health Education Programme for Young
Children
The programme
Out comes the learning . . .
In comes the artistry
Bibliography
Notes
15. ‘You Just Made the Blueprint to Suit Yourselves’: A Theatre-Based Health Research Project in Lungwena,
Malawi
A theatre-based health research project in Lungwena
Analysis of the theatre pilot research project in Lungwena
Bibliography
Notes
16. Bearing Witness: The Position of Theatre Makers in the Telling of
Trauma
Crocodile Seeking Refuge (2005)
Woman in Waiting (2002)
Bibliography
Notes
17. The Ends of Applied Theatre: Incidents of Cutting and
Chopping
An international incident
A showpiece
Applied theatre as strategy or tactic?
Bibliography
Notes
Part 4: Participation
18. Introduction to Participation
Bibliography
19. Theatre of the Oppressed
Experiments with the People’s Theater in Peru
Third stage: the theater as language
20. Selections from the Prison Notebooks
Notes
21. Participation
Popular participation
The pitfalls of empowerment
Participation: boon, myth, or danger?
Beyond participation
Notes
22. Participation for Liberation or Incrimination?
Ingando solidarity camp
Grassroots theatre
Gacaca courts
Gacaca versus Truth and Reconciliation Commission
Conclusion
Bibliography
Notes
23. Altogether Now?: Reconsidering the Merits of Participation in Child-Rights
Theatre
Bibliography
Notes
24. The Complexity and Challenge of Participation: A Case Study of Collective Encounters’ Living Place
Project
Notes
25. The Use of Dialogical Approaches for Community Theatre by the Group Nós Do Morro, in the Vidigal Favela of Rio De Janeiro
The Vidigal community
The origins of Nós do Morro
Nós do Morro as a Freirean perspective
The distinctiveness of Nós do Morro approach
Bibliography
Notes
Part 5: Intervention
26. Introduction to Intervention
Bibliography
27. Profit Over People
Neoliberalism and global order
The Washington consensus
The novelty of neoliberalism
28. When People Play People
The efficacy of theatre in development communication
Indispensability of mass media
Assets and liabilities of different methods of theatre-for
development
Efficacy of popular and traditional media
Intervention
Domestication and other constraints
Evaluation
Bibliography
29. Drama as a Process for Change
30. Theatre as Communal Work: Intervention in Rural
Communities
Theatre in communities
My work
The concept of theatre as communal work
The community
The millennium play project
Bibliography
Notes
31. Made to Measure?: A critical Interrogation of Applied Theatre as Intervention with Young Offenders in the
UK
I
II
III
Bibliography
Notes
32. Flight Paths: Challenging Racism in Sunderland
and Newcastle
Preparing the ground
The play
The resource pack, training for teachers, workshops
2004
33. The Performance of Trauma
The practical workshops
Exploring autobiographical stories
Performing traumatic autobiography
Bibliography
34. Playback Theatre in Burundi: Can Theatre Transcend the
Gap?
The background
Potential
Problems and learnings
Bibliography
Notes
Part
6: Border crossing
35. Introduction to Border Crossing
Notes
36. Border Crossings
The politics of voice and difference
Resisting difference: towards a liberatory theory of border
pedagogy
Notes
37. Decolonising the Mind
I
II
III
IV
V
Notes
38. Re-Locating Memory: Performance, Reminiscence and Communities of
Diaspora
Embodiment and reminiscence theatre
Memory and the performance of diaspora
Encountering counter-memories
Bibliography
Notes
39. ‘Is This the Play?’: Applied Theatre Practice in a Pupil Referral
Unit
Contexts
Practice: expectation and adaptation
Adaptations
Bibliography
Notes
40. My People’s Blood: Mobilizing Rural Aboriginal Populations in Canada Around Issues
of HIV
Community: context
Youth participants: context
Turning point
The topic
Turning point
Turning point: community mobilization
The popular theatre process
What helped?
References
41. Transgressing Borders in Portland, Maine
The border raids
Cultural response
The process
The production
Follow-up
Bibliography
Part 7:
Transformation
42. Introduction to Transformation
Bibliography
Notes
43. Theatre Poems and Songs
44. Pedagogy of the Oppressed
Note
45. Synthetic Culture and Development
Reordering reality
Standardization of culture
Colonizing life experiences
Means of social control
Ideological dependence
Standardization of consumption and culture
Notes
46. Are we There Yet?: On the Road to Safer Sex Through Interactive
Theatre
Bibliography
Notes
47. ‘The Mothership’: Sustainability and Transformation in the Work of
Clean Break
Prison theatre?
An overview of Clean Break
Education and training
What works?
Moving on
References
Notes
48. Who’s Got the Power?: Performance and Self Advocacy for People with Learning Disabilities,
London
How did we work as a group?
The first production – Who Stole the Beautiful Octopus?
The second production – Who’s Got the Power?
Aftermath
Bibliography
Notes
49. Sanctions and Survival Politics: Zimbabwean Community Theater in a Time of
Hardship
Bibliography
Notes
50. Child Rights Theatre for Development with Disadvantaged and Excluded Children in South Asia and Africa
Bibliography
Notes
Part 8: Applied theatre and
globalisation
51. Applied Theatre in a Global Village
Bibliography
Index