دانلود کتاب The Art of Being Jewish in Modern Times

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Contents\nIllustrations\nPreface\nIntroduction\nI. Culture, Commerce, and Class\nIntroduction\nChapter 1. Theater as Educational Institution: Jewish Immigrant Intellectuals and Yiddish Theater Reform\nChapter 2. Film and Vaudeville on New York’s Lower East Side\nChapter 3. Of Maestros and Minstrels: American Jewish Composers between Black Vernacular and European Art Music\nII. Siting the Jewish Tomorrow\nIntroduction\nChapter 4. May Day, Tractors, and Piglets: Yiddish Songs for Little Communists\nChapter 5. Performing the State: The Jewish Palestine Pavilion at the New York World’s Fair, 1939/40\nChapter 6. Was There Anything Particularly Jewish about ‘‘The First Hebrew City’’?\nChapter 7. Re-Routing Roots: Zehava Ben’s Journey between Shuk and Suk\nIII. Lost in Place\nIntroduction\nChapter 8. The ‘‘Wandering Jew’’ from Medieval Legend to Modern Metaphor\nChapter 9. Diasporic Values in Contemporary Art: Kitaj, Katchor, Frenkel\nIV. Portraits of the Artist as Jew\nIntroduction\nChapter 10. Modern? American? Jew? Museums and Exhibitions of Ben Shahn’s Late Paintings\nChapter 11. Max Liebermann and the Amsterdam Jewish Quarter\nChapter 12. Rome and Jerusalem: The Figure of Jesus in the Creation of Mark Antokol’skii\nV. In Search of a Usable Aesthetic\nIntroduction\nChapter 13. A Modern Mitzvah-Space-Aesthetic: The Philosophy of Franz Rosenzweig\nChapter 14. Reestablishing a ‘‘Jewish Spirit’’ in American Synagogue Music: The Music of A. W. Binder\nChapter 15. The Evolution of Philadelphia’s Russian Sher Medley\nVI. Hotel Terminus\nIntroduction\nChapter 16. Framing Nazi Art Loot\nChapter 17. Joseph Lewitan and the Nazification of Dance in Germany\nChapter 18. History, Memory, and Moral Judgment in Documentary Film: On Marcel Ophuls’s Hotel Terminus: The Life and Times of Klaus Barbie\nNotes\nNotes on Contributors\nAcknowledgments