دانلود کتاب The Birth of Modern Comedy in Renaissance Italy

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Cover
Publication Data
Contents
Preface
Introduction
Italian Comedy as a Theater of Imitation
The Neo-Aristotelian School of Theatrical Practice
The Critical Fortune of the Erudite Comedy
The Goal of this Study
1. The Humanistic Prelude
Petrarch: The Philologia
Vergerio: The Paulus
Polenton: The Catinia
Conquestion uxoris Cavichioli
Comedia Bile
Alberti: The Philodoxus
Janus sacerdos
Bruni: The Poliscena
Pisani: De conquinaria confabulatione and the Philogenia
Frulovisi: Seven Comedies
Piccolomini: The Chrysis
Comoedia sine nomine
Electoral Comedy
Barzizza: The Cauteriaria
Tommaso de Mezzo: Epirota
Slyterhoven: The Scornetta
Armonio: The Stephanium
Zamberti: The Dolotechne
Morlini: Comoedia
Aetheria
The Role of the Humanistic Comedies
2. The Emergence of the Erudite Comedy
The Reawakened Interest in Classical Comedies
Mantovano: The Formicone
Ariosto: La Cassaria
I Suppositi
Il Negromante
La Lena
I Studenti
Nardi: La Commedia di Amicizia
I Due Felici Rivali
Machiavelli: La Mandragola
La Clizia
Bibbiena: La Calandria
The Contribution of the Early Dramatists
3. Rebel and Academic Comedies
Aretino: La Cortigiana
Il Marescalco
Lo Ipocrito
Talanta
Il Filosofo
The Contributions of Aretino to Italian Comedy
Ricchi: I Tre Tiranni
The Intronati: Gl\'Ingannati
Alessandro Piccolomini: L\'Amor Costante
Ruzzante: the Formative Period
L\'Anconitana
La Piovana
La Vaccaria
Beolco\'s Unique Role
The Varieties of Theatrical Experimentation
Conclusion: The Creation of a Modern Comic Theater
Europe\'s Debt to the Italian Comedy
The Originality of the Erudite Comedy
Appendix 1: Plots of Latin Plays
Appendix 2: Plots of Italian Plays
Bibliography
Index of Names
Index of Plays