دانلود کتاب The Birth of New Criticism: Conflict and Conciliation in the Early Work of William Empson, I.A. Richards, Robert Graves, and Laura Riding

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Cover\nCopyright\nContents\nAcknowledgments\nIntroduction\n1 - An Old Anxiety about Influence\n2 - A Question of Conflict\n3 - Mediating The Poetic Mind: “as many meanings as possible”\n4 - The Limits of Poetic Consciousness\n5 - Models of Practically Ambiguous Criticism\n6 - Defence of Poetic Analysis\n7 - The Ambiguous Grammar of Romantic Psychology\n8 - Associations\n9 - Taxonomies of Types\n10 - Remembering Graves in Revision\n11 - Richards and the Graves(t) Danger\n12 - How Graves Shapes Richards’s Principles\n13 - Conflict Theory in Science and Poetry\n14 - Riding Corrects Richards (and Graves)\n15 - Asserting the Poem’s Autonomy contra Richards\n16 - From Slow Reading to Close Reading: Escaping the Stock Response\n17 - Taking New Stock of Stock Responses\n18 - Poetry, Interpretation, and Education\n19 - Anthology Culture, Self-Reliance, and Self-Development\n20 - Slow Wit, Slow Close Reading, and Paraphrase\nNotes\nIndex