دانلود کتاب The Choreopolitics of Alain Platel’s les ballets C de la B: Emotions, Gestures, Politics

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Cover\nContents\nList of Figures\nNotes on Contributors\nSeries Editors’ Preface\nAcknowledgements\n1 Introduction Christel Stalpaert, Guy Cools and Hildegard De Vuyst\nPart One Multiple Dramaturgies\n 2 A Dramaturgy of Stuttering Guy Cools\n 3 ‘An Experiment in Democracy’: Alain Platel’s Collaborative Dramaturgy Katalin Trencsényi\n 4 Alain Wins a Prize Hildegard De Vuyst\nPart Two Emotions\n 5 Being Alone Together: Alain Platel and the ‘Disturbance of Violent Relatedness’ in La Tristeza Complice (1995), pitié! (2008) and tauberbach (2014) Ann Cooper Albright\n 6 Desire amongst the Dodgems: Alain Platel and the Scene of Seduction Adrian Kear\n 7 Alain Platel’s Quest for Embodied Salvation: A Musical Perspective on C(H)ŒURS Francis Maes\n 8 Skin Tests: Views on nicht schlafen Claire Besuelle\n 9 Platel Is a Barbarian Hildegard De Vuyst\nPart Three Gestures\n 10 Bernadetje, Catastrophes and Gestures Erwin Jans\n 11 Choreic Gesture: Virtuosic Angularity, Alterkinetic Dance in Platel’s Out of Context – for Pina Kélina Gotman\n 12 Staging the Precarious: Vulnerability and Sexual Identity in Alain Platel’s Gardenia Miriam Dreysse\n 13 tauberbach, a Diagrammatical Reading: The Body between Self and Language Piet Defraeye\n 14 Schizophrenia and Resistance: On tauberbach Jeroen Donckers\nPart Four Politics\n 15 Mourning a Europe in Crisis: les ballets C de la B’s En avant, marche! (2015) Lourdes Orozco\n 16 Troubled Pasts and Presents, Differential Futures: Alain Platel’s Choreopolitics with les ballets C de la B Christel Stalpaert\n 17 Offspring Hildegard De Vuyst\nIndex