دانلود کتاب The Cinema of Louis Malle: Transatlantic Auteur

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Contents\nAcknowledgements\nNotes on Contributors\nForeword\nIntroduction\nTransversal Studies\n1. Malle Before Malle\n2. The Art of Silence: From Documentary to Fiction\n3. No Comment: Direct Cinema in Humain, trop humain and Place de la République\n4. Louis Malle’s Nonfiction: Tradition, Rebellion and Authorial Voice\n5. Louis Malle’s 1960s ‘Star’ Films\n6. Experimentation and Automatism in Zazie dans le métro and Black Moon\n7. Louis Malle and ‘His’ Writers (Drieu La Rochelle, Nimier, Modiano)\n8. A Gendered Geography of Death: Louis Malle’s Orphic Voyage\n9. The Figure of the Mother in May Fools, Au revoir les enfants and Murmur of the Heart\n10. Jazz as Counterpoint in Elevator to the Gallows, Murmur of the Heart and Pretty Baby\nMonographic Essays\n11. The Fire Within: Touching\n12. Le Voleur: (Self-)Portrait of the Filmmaker as a Thief\n13. Absorption and Reflexivity in Phantom India\n14. Fog of War: Lacombe Lucien and Its Afterlives\n15. Memory, Friendship and History in Au revoir les enfants\n16. Atlantic City: When Sound Meets Utopia\n17. Between Conversation and Conversion: My Dinner with André\n18. Vanya on 42nd Street: Inventing a Space of Creation\nInterview\nTruth and Poetry: An Interview with John Guare (New York, 7 October 2015)\nVaria (Previously Unpublished Material)\nNotes for a Lecture to be Given by Louis Malle on the Queen Elizabeth 2\nScript of ‘The Loner’ by Louis Malle\nAfterword\nFilmography\nIndex