دانلود کتاب The Complete Manual of Typography: A Guide to Setting Perfect Type

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Table of Contents
Foreword
Introduction
PART ONE: Typographic Basics
1 The State of the Art and How We Got Here
The Building Blocks of Type
Evolution and Automation
Desktop Publishing Alters the Rules
Output Resolution and Type Quality
2 Units of Typographic Measurement
Absolute Measurements
Relative Units
Other Units of Measure
3 About Typefaces
Definitions: Font versus Typeface
Type Design and the Em Square
Type Anatomy
Optical Aspects of Typeface Design
Size Changes Everything
Principal Features of Typefaces
Typefaces as Role Players: Text, Display, and Decorative
Classifying Typefaces by Historical Period
Typeface-Naming Issues
4 About Fonts
The Two Basic Kinds of Fonts: Outline and Bitmapped
What’s in a Font?
Cross-Platform Font-Compatibility Issues
Finding the Characters You Need
Identifying Font Formats
The Basics of Font Management
Font-Editing Programs
5 The Basics of Using Typefaces
Readability
Traditional Roles for Seriffed and Sans Serif Types
Expressing Emphasis
Uses for Condensed and Extended Faces
Using Display Type
Using Decorative Type
Type in Color
Reverses
6 Typesetting versus Typewriting
Page Sizes and Line Lengths
Word Spaces
Line Endings and Carriage Returns
Quads
Typeface Choice and Point Size
Unavailable Characters
Tabs
7 Setting Type on a Personal Computer
A Tale of Two Systems: Typesetting and the Word Processing Legacy
How WYSIWYG Works
How Operating Systems Manage Fonts
Font Embedding
Font Copyright Issues
8 What Makes Good Type Good (and Bad Type Bad)
Legibility and Readability
Type Color
Optical Effects and Alignment Problems
The Eyes Have It
PART TWO: How to Set Type
9 Measure, Point Size, and Leading
Line Length, or Measure
Leading
Typeface-Specific Considerations
10 Controlling Hyphenation and Justification
What Hyphenation and Justification Means
Controlling Word and Letter Spaces
How Measure Affects H&J
Specifying Word-Space Ranges in Ragged-Margin Type
Specifying Word-Space Ranges in Text with Justified Margins
Specifying Letter-Space Ranges
Altering Character Widths during H&J
Testing Your H&J Values
Fixing and Avoiding Composition Problems
Aesthetic Rags
11 Kerning and Tracking
Definitions: Kerning and Tracking
Kerning in Practice
Using Tracking Controls
12 Managing Indention and Alignment
Kinds of Indents
Skews and Wraps
Alignments of Characters and Text Blocks
Visual Alignment
13 Special Characters and Special Situations
Extended Character Sets
Small Capitals
Old-Style Numbers
Ligatures, Logotypes, and Diphthongs
Swash Characters
Superiors, Inferiors, and Ordinals
Fractions
Dashes
Points of Ellipsis
Common Pi Characters
Accented Characters
Character-Specific Spacing Issues
Initial Capitals
14 Document Structures and Typographic Conventions
Structural Elements
Navigation Tools
Independent Text Units
Indexes
Bibliographies
15 Tables
The Structure of Tables
Table-Setting Techniques
16 Language-Specific Issues
Character Sets
Hyphenation
Time Expressions
Currency Symbols
British English versus American English
French Typographic Conventions
Spanish Typographic Conventions
Italian Typographic Conventions
German Typographic Conventions
17 Typesetting with Style Sheets
How Style Sheets Work
Creating Style Sheets
Using Style Sheets
18 Resolution Issues: Print, Screen, and Web
The Advantages of High-Resolution Output
Type Onscreen
Typography and the World Wide Web
PART THREE: References
Glossary
A
B
C
D
E
F
G
H
I
J
K
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M
N
O
P
Q
R
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T
U
V
W
X
Index
A
B
C
D
E
F
G
H
I
J
K
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M
N
O
P
Q
R
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T
U
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W
X
Z
Further Reading