دانلود کتاب The Divergent Nation of Indonesia: Heterogeneous Imaginings in Jakarta, Kupang, and Banda Aceh

فهرست مطالب :

Foreword Acknowledgments Contents 1 On Imagining a Nation 1.1 Emphasis on Homogeneity and Elites in the Study of Nationhood 1.2 Prevalence of Homogeneous Elite Point of Views in Indonesian Studies 1.3 Toward Heterogeneous Constructions of Everyday Nationhood 1.3.1 The Construction of the Nation 1.3.2 Standpoint Theory and Situated Imagining 1.4 Organization of the Book References 2 Nationalism and the Making of Indonesian Subjects 2.1 Precursors to Independence 2.2 Independent Indonesia as a Unitary State 2.2.1 Nation-Building Narratives: Majapahit, the Youth Pledge, and Pancasila 2.2.2 Indonesia’s Mythical Past 2.2.3 Early Challenges in Nation-Building 2.2.4 Guided Democracy and the End of the Sukarno’s Administration 2.3 The New Order: Stabilization and Homogenization 2.3.1 Military Style Homogenization 2.3.2 Education as the Site of Indoctrination 2.3.3 Building the National Cultural Identity 2.3.4 Uneven Belongingness to Indonesia 2.3.5 The Beginning of the End 2.4 The Reform Period 2.4.1 Decentralization 2.4.2 Gus Dur, Megawati, and Susilo Bambang Yudhoyono 2.5 Conclusion References 3 Methodology 3.1 The Research Sites: Jakarta, Kupang, and Banda Aceh 3.2 Methodological Challenges 3.3 The Photo-Elicitation Interview Method 3.4 Selection of Photographs and the Interview Process 3.4.1 Photographs Used in the Interviews 3.5 Note on Analysis References 4 Imagining “Indonesia” from Jakarta 4.1 The Socio-Historical Context of Jakarta 4.2 The Inward Gaze: Building a Chain of Equivalence from Diversity and Disparity 4.2.1 The Nationalization and Essentialization of Regional Cultures 4.2.2 Politically and Economically Dependent Periphery 4.2.3 The Regions as Negative Space 4.3 The Outward Gaze 4.3.1 The Antagonistic Other: Malaysia 4.3.2 The Desirable Other: Affluent and Developed Countries 4.4 Summary and Conclusions References 5 Indonesia from the Periphery: Imagining “Indonesia” in Kupang 5.1 The Socio-Historical Context of Kupang 5.2 The Inward Gaze: Coexistence of Hegemonic and Counter-Hegemonic Discourses 5.2.1 Reproductions of Hegemonic Narratives 5.2.2 Inhabiting the Negative Space: Do You Know Where Kupang Is? 5.2.3 Questioning Hegemonic Meanings of “Culture” and “Diversity” 5.2.4 A Pragmatic Belongingness to the Nation 5.3 The Outward Gaze: The Absence of the International World as the Other 5.4 Summary and Conclusion References 6 Deconstructing “Indonesia” in Banda Aceh 6.1 The Socio-Historical Context of Banda Aceh 6.2 The Inward Gaze 6.2.1 Inhibiting the Negative Space: Aceh Culture Versus Indonesian Culture 6.2.2 Two Perceptions on Aceh’s Integration with Indonesia 6.3 The Outward Gaze: Aceh and the World 6.4 Summary and Conclusion References 7 Heterogeneous Constructions of the Nation: Theoretical and Practical Implications 7.1 Plural Imaginings from Below: The Center and the Peripheries 7.2 Multiple Modes of Otherness 7.3 Multiple Centers, Plural Dominant Discourses 7.4 The Nation as “Regularity in Dispersion” 7.5 A Post-script: The Future of Indonesia as a Common Project? References Appendix Regional Responses to Individual Photographs Index