دانلود کتاب The Edinburgh Companion to Literature and Music

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List of Illustrations
List of Tables
Acknowledgements
Introduction
1. Intertextuality, Topic Theory and the Open Text
2. Secrets, Technology and Musical Narrative: Remarks on Method
3. Derrida, de Man, Barthes, and Music as the Soul of Writing
Part I: Literature and Music before 1500
Introduction
4. Music and the Book: The Textualisation of Music and the Musicalisation of Text
5. Liturgical Music and Drama
6. Intermedial Texts
7. Citation and Quotation
8. Polytextuality
9. Courtly Subjectivities
10. Gender: The Art and Hermeneutics of (In)differentiation
Part II: Literature and Music in the Sixteenth and Seventeenth Centuries
Introduction
11. Music and the Literature of Science in Seventeenth-Century England
12. The ‘Sister’ Arts of Music and Poetryin Early Modern England
13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton
14. Against ‘the Music of Poetry’
15. Speaking the Song: Music, Language andEmotion in Shakespeare’s Cymbeline
16. Shakespeare’s Musicians: Statusand Hierarchy
17. Best-Selling Ballads in Seventeenth-Century England
18. Italian Performance Practices in Seventeenth-Century English Song
19. From Tragicomedy to Opera? John Marston’s Antonio and Mellida
20. Learning to Lament: Opera andthe Gendering of Emotion in Seventeenth-Century Italy
21. All-Sung English Opera Experiments in the Seventeenth Century
Part III: Literature and Music in the Eighteenth Century
Introduction
22. Thomas Arne and ‘Inferior’English Opera
23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays
24. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce
25. National Aspiration: Samson Agonistes Transformed in Handel’s Samson
26. Maurice Greene and the English Church Music Tradition
27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners
28. ‘Dreadful Insanity’: Jane Austen and Musical Performance
29. Music, Passion and Parole in Eighteenth-Century French Philosophy
30. Shelley’s Musical Gifts
31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert
32. The Musical Poetry of the Graveyard
33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song
Part IV: Literature and Music in the Nineteenth Century
Introduction
34. Music and the Rise of Narrative
35. From English Literature to Italian Opera: A Tangled Web of Translation
36. James, Argento and The Aspern Papers: ‘Orpheus and the Maenads’
37. Opera in Nineteenth-Century Italian Fiction: Reading ‘Senso’
38. Stendhal at La Scala: The Birth of Musical Fandom
39. George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda
40. Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’
41. Music in Romantic and Victorian Poetry
42. The Princess and the Tennysons’ Performance of Childhood
43. Tchaikovsky’s Songs: Music as Poetry
44. Wagner and French Poetry from Nerval to Mallarmé: The Power of Opera Unheard
Part V: Literature and Music in the Twentieth and Twenty-First Centuries
Introduction
45. Nelson Goodman: An Analytic Approachto Music and Literature Studies
46. Lyotard, Phenomenology and the Shared Paternity of Literature and Music
47. Music in Proust: The Evolutionof an Idea
48. Music in Woolf’s Short Fiction
49. Listening in to D. H. Lawrence: Music, Body, Feelings
50. E. M. Forster and Music: Listening for the Amateur
51. Beckett, Music and the Ineffable
52. Jean Rhys and the Politics of Sound
53. Music in Contemporary Fiction
54. Modernist Poetry and Music: Pound Notes
55. Auden’s Imaginary Song
56. Ivor Gurney: Embracing and Attacking A. E. Housman
57. Music and Contemporary Poetry: Audience, Apology and Silence
58. Le Cas Debussy: Layers of Resonance from Literature into Music
59. Britten, Austen and Mansfield Park
60. Tippett, Eliot and Madame Sosostris
61. Worlds of Sound in Louis MacNeice’s Early Radio Plays: ‘Figure in the Music’
62. ‘High Fidelity’, ‘Added Value’ and the Aesthetics of Sound Technology in Literary Modernism
63. Words in Popular Songs
64. Notes on Soundtracked Fiction:The Past as Future
65Origins and Destinations: A Future for Literature and Music
Notes on Contributors
Editorial Advisory Board
Index