دانلود کتاب The Enjoyment of Music

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Cover
Table of Contents
Preface
Part 1 - Materials of Music
Prelude 1 - The Enjoyment of Music
Listening to Music
Chapter 1 - Melody - Musical Line
The Structure of Melody
Chapter 2 - Rhythm and Meter - Musical Time
Metrical Patterns
Rhythmic Complexities
Chapter 3 - Harmony - Musical Depth
The Organization of Harmony
Consonance and Dissonance
Chapter 4 - The Organization of Musical Sounds
The Chromatic Scale
The Major Scale
The Minor Scale
Diatonic vs. Chromatic
The Major-Minor System
Chapter 5: Musical Texture
Types of Texture
Contrapuntal Devices
Chapter 6: Musical Form
Structure and Design in Music
The Building Blocks of Form
Chapter 7: Musical Expression: Tempo and Dynamics
The Pace of Music
Loudness and Softness
Tempo and Dynamics as Elements of Expression
Chapter 8: Text and Music
Chapter 9: Voices and Instrument Families
Musical Timbre
The Voice as Instrument
The World of Musical Instruments
Chapter 10: Western Musical Instruments
String Instruments
Woodwind Instruments
Brass Instruments
Percussion Instruments
Keyboard Instruments
Chapter 11: Musical Ensembles
Choral Groups
Chamber Ensembles
The Orchestra
Wind, Jazz, and Rock Bands
The Role of the Conductor
The Orchestra in Action
Listening Guide 1
Chapter 12: Style and Function of Music in Society
The Concept of Style
Chapter 13: Many Voices: Creating and Recreating Musical Canons
Chapter 14: Putting Music into Words
Finding Your Voice and Framing Your Ideas
Part 2: The Middle Ages and Renaissance
Prelude 2: Music as Commodity and Social Activity
From Antiquity to the Middle of Things
Markets and Courts
Looking Out and Looking In
Musicians in Medieval and Renaissance Society
Chapter 15: Voice and Worship: Tradition and Individuality in Medieval Chant
Plainchant: Music of the Church
The Mass
Life and Music in the Medieval Monastery
Many Voices: Islamic Chant
Listening Guide 2
Chapter 16: Layering Lines: Early Polyphony of the Notre Dame School
Early Polyphony
Listening Guide 3
Chapter 17: Storytelling through Song: Troubadours and Medieval Court Culture
Medieval Minstrels and Court Musicians
Listening Guide 4
Chapter 18: Symbols and Puzzles: Machaut and the Medieval Mind
Machaut and the French Ars nova
Listening Guide 5
Chapter 19: Singing Friendship: The Renaissance Madrigal
Social Music-Making in the Renaissance
The Madrigal: Linking Music and Poetry
Monteverdi and Vocal Rhetoric
Listening Guide 6
The Madrigal in England
Listening Guide 7
Many Voices: Madrigals for Modern Ears
Chapter 20: Remember Me: Personalizing the Motet in the Renaissance
Renaissance Sacred Music
Listening Guide 8
Chapter 21: Glory Be: Music for the Renaissance Mass
The Renaissance Mass
The Reformation and Counter-Reformation
Listening Guide 9
Chapter 22: Instrumental Movements: Medieval and Renaissance Dance Music
Music in the Middle Ages and Renaissance
Listening Guide 10
Music in Words: Reviewing Medieval and Renaissance Styles
Part 3: The Baroque Era
Prelude 3: Music as Exploration and Drama
Main Currents in Baroque Music
“Baroque” Art and Culture
Chapter 23: Voicing Gender: Women Composers in Baroque Italy
A Nun’s Life in Baroque Italy
Listening Guide 11
Barbara Strozzi and the Baroque Aria
Listening Guide 12
Chapter 24: Performing Grief: Purcell and Early Opera
The Components of Opera
Early Opera in Italy
Opera in England
Listening Guide 13
Many Voices: Sounds Obstinate
Chapter 25: Musical Sermons: Bach and the Lutheran Cantata
The Lutheran Chorale and Cantata
Bach and the Lutheran Cantata
Listening Guide 14
Chapter 26: Textures of Worship: Handel and the English Oratorio
The Oratorio
Listening Guide 15
Chapter 27: Independent Study: Billings and the North American Sacred Tradition
From “Lining Out” to Singing Schools
Listening Guide 16
Many Voices: Blending Worship Traditions in Colonial Latin America
Chapter 28: Grace and Grandeur: The Baroque Dance Suite
Baroque Instruments
The Baroque Suite
Listening Guide 17
Chapter 29: Sounding Spring: Vivaldi and the Baroque Concerto
The Baroque Concerto
Many Voices: Maestre Violinists of Venice
Listening Guide 18
Chapter 30: Process as Meaning: Bach and the Fugue
Keyboard Instruments in the Baroque Era
The Fugue and Its Devices
Bach’s Keyboard Fugues
Listening Guide 19
Music in Words: Reviewing Baroque Style
Part 4: Eighteenth-Century Classicism
Prelude 4: Music as Order and Logic
Classicism and Enlightenment Culture
Classicism in Music
The Patronage System
Chapter 31: Musical Conversations: Haydn and Classical Chamber Music
Expanding Musical Ideas
Classical Forms
Listening Guide 20
Chapter 32: The Ultimate Instrument: Haydn and the Symphony
The Classical Orchestra and Symphony
Listening Guide 21
Chapter 33: Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
Mozart’s Eine kleine Nachtmusik
Listening Guide 22
Many Voices: North Indian Classical Music
Chapter 34: Conversation with a Leader: The Classical Concerto
Movements of the Classical Concerto
Mozart and the Piano Concerto
Listening Guide 23
Many Voices: Masters—and Non-Masters
Chapter 35: Personalizing the Conversation: Beethoven and the Classical Sonata
The Sonata in the Classical Era
Listening Guide 24
Chapter 36: Disrupting the Conversation: Beethoven and the Symphony in Transition
Beethoven’s Symphonies
Listening Guide 25
Chapter 37: Making It Real: Mozart and Classical Opera
Classical Opera
Listening Guide 26
Chapter 38: Mourning a Hero: Mozart and the Requiem
Sacred Music in the Classical Era
Listening Guide 27
Music in Words: Reviewing Eighteenth-Century Classical Style
Part 5: The Nineteenth Century
Prelude 5: Music as Passion and Individualism
An Age of Revolutions
Romanticism in Music
Chapter 39: Musical Reading: Schubert, Schumann, and the Early Romantic Lied
The Lied
Schubert and the Lied
Listening Guide 28
Schumann and the Song Cycle
Listening Guide 29
Many Voices: Folk Song, Popular Song, Art Song
Chapter 40: Marketing Music: Foster and Early “Popular” Song
Stephen Foster, Parlor Song, and Minstrelsy
Listening Guide 30
Chapter 41: Fire and Fury at the Keyboard: Chopin and Romantic Piano Music
The Nineteenth-Century pianos
The Short Lyric Piano Piece
Listening Guide 31
Chapter 42: Musical Diaries: Hensel and Programmatic Piano Music
Women and Music in Nineteenth-Century Society
Listening Guide 32
Chapter 43: Personal Soundtracks: Berlioz and the Program Symphony
Romantic Program Music
Listening Guide 33
Chapter 44: Sounding Literature: Orchestral Program Music by Mendelssohn and Grieg
Varieties of Orchestral Program Music
Listening Guide 34
Musical Nationalism
A Scandinavian Nationalist: Edvard Grieg
Listening Guide 35
Chapter 45: Absolutely Classic: Brahms and the Nineteenth-Century Symphony
Absolute Music in the Romantic Era
Listening Guide 36
Chapter 46: Multimedia Hits: Verdi and Italian Romantic Opera
Women and Nineteenth-Century Opera
Verdi and Italian Opera
Listening Guide 37
Chapter 47: Total Art: Wagner and German Romantic Opera
Wagner and German Musical Theater
Listening Guide 38
Chapter 48: Embracing Death: Brahms and the Requiem
Romantic Choral Music
Listening Guide 39
Chapter 49: Poetry in Motion: Tchaikovsky and the Ballet
The Ballet
Tchaikovsky and The Nutcracker
Listening Guide 40
Chapter 50: Exotic Allure: Puccini and the Italian Verismo Tradition
Post-Romanticism
Puccini and Verismo Opera
Listening Guide 41
Many Voices: Chinese Opera
Chapter 51: Mythical Impressions: Program Music at the End of the Nineteenth Century
Symbolism and Impressionism in Paris
Translating Impressions into Sound
Listening Guide 42
Chapter 52: Nationalism Crosses the Ocean: Dvořák and Late Romanticism in the USA
Music in a Nation of Immigrants
Listening Guide 43
Chapter 53: Jubilees and Jubilation: The African American Spiritual Tradition
Spirituals and the Jubilee Tradition
Spirituals and the Art-Song Tradition
Listening Guide 44
Chapter 54: A Good Beat: American Vernacular Music at the Close of an Era
John Philip Sousa and the Band Tradition
Scott Joplin and Ragtime
Listening Guide 45
Music in Words: Reviewing Romantic Style
Part 6: Twentieth-Century Modernism
Prelude 6: Making Music Modern
Features of Early Musical Modernism
Chapter 55: Anything Goes: Schoenberg and Musical Expressionism
The Emancipation of Dissonance
Schoenberg and Atonality
Listening Guide 46
Chapter 56: Calculated Shock: Stravinsky and Modernist Multimedia
The Rite of Spring: Collaborative Multimedia
Listening Guide 47
Chapter 57: Still Sacred: Religious Music in the Twentieth Century
Post-Impressionism, Lili Boulanger, and the Prix de Rome
Listening Guide 48
Chapter 58: War Is Hell: Berg and Expressionist Opera
The Second Viennese School and the Twelve-Tone Method
Alban Berg and Wozzeck
Listening Guide 49
Chapter 59: American Intersections: Jazz and Blues Traditions
Roots of Jazz and Blues
The Jazz Singer Billie Holiday
Listening Guide 50
Duke Ellington and the Swing Era
Bebop, Cool, Latin Jazz
Listening Guide 51
Chapter 60: Modern America: Still and Musical Modernism in the United States
The Harlem Renaissance
Listening Guide 52
Chapter 61: Jazz Gets Classical: Gershwin’s Modern Experiment
From Song Plugging to the Concert Hall
Rhapsody in Blue: Tunes Collaboratively Developed
Listening Guide 53
Chapter 62: Sounds American: Ives, Copland, and Musical Nationalism
Ives and New England Modernism
Listening Guide 54
Copland and the American Orchestral Soundscape
Listening Guide 55
Many Voices: Forgetting and Rediscovering J. S. Bach and Florence Price
Chapter 63: Also American: Revueltas and Mexican Musical Modernism
Musical Traditions of Mexico
Silvestre Revueltas: “Mestizo Realist”
Listening Guide 56
Many Voices: Musical Traditions in Mexico
Chapter 64: Classic Rethinking: Bartók and the Neo-Classical Turn
Neo-Classicism
Modernist Nationalism
Bartók and the Eastern European Tradition
Listening Guide 57
Music in Words: Reviewing Modernist Style
Part 7: Postmodernism: The Mid-Twentieth Century and Beyond
Prelude 7: Beyond Modernism?
Music in a Postmodern World
Many Voices: Music Technology
Chapter 65: New Sound Palettes: Mid-Twentieth-Century American Experimentalists
Early Experiments
The Music of John Cage
Listening Guide 58
George Crumb and Avant-Garde Virtuosity
Listening Guide 59
Many Voices: Javanese Gamelan
Chapter 66: Staged Sentiment: Bernstein and American Musical Theater
Musical Theater in North America
Leonard Bernstein and West Side Story
Listening Guide 60
Chapter 67: Less Is More: Reich and Minimalist Music
From Twelve-Tone to Process and Phase
Listening Guide 61
Many Voices: East African Drumming
Chapter 68: Rolling Beethoven Over: Roots and Reworkings of Rock
The Many Voices of Rock
Rolling Past Berry
Chapter 69: Returning with Interest: Bowie, Glass, and Postmodern Elaboration
David Bowie, Creative Chameleon
Heroes: from Album to “Symphonic Ballet”
Listening Guide 62
Chapter 70: Neo-Romantic Evocations: Higdon and Program Music into the Twenty-First Century
A New Romanticism?
Listening Guide 63
Chapter 71: Underscoring Meaning: Music for Film
Sound and Film
John Williams: Star Wars and Beyond
Listening Guide 64
Many Voices: Soundtracks of Play
Tan Dun: Blending East and West
Listening Guide 65
Chapter 72: Icons in Sound: Tavener and Postmodern Orthodoxy
Spiritual Minimalism
Tavener and Greek Orthodoxy
Listening Guide 66
Chapter 73: Reality Shows: Adams and Contemporary Opera
John Adams and Post-Minimalism
Listening Guide 67
Chapter 74: Syncretism and Universalism: León and the Intersection of Traditions
Tania León’s Inura
Listening Guide 68
Music in Words: Reviewing Postmodern styles
Postlude: New Voices
New Voices: Omar Thomas
New Voices: Bora Yoon
Appendix I: Musical Notation
Appendix II: Glossary
Appendix III: Reporting on the Concert Experience
Credits
Index
Maps