دانلود کتاب The Expressionist Turn in Art History: A Critical Anthology

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Cover
Title Page
Copyright Page
Dedication
Contents
List of Illustrations
Notes on Contributors
Acknowledgments
Introduction
Wilhelm Worringer
Fritz Burger
Ernst Heidrich
Max Dvoák
Heinrich Wölfflin
Carl Einstein
Expressionist Art and Art History
Overview of Contents
Notes
PART I: WILHELM WORRINGER
1 Illustration and Advertising: Wilhelm Worringer’s Die altdeutsche Buchillustration
Illustration and Abstraction
Woodcuts as Art and Kultur
Abstraction in Advertising and Art
Return to Abstraction
Notes
2 Introduction to Old German Book Illustration (1912)
Notes
PART II: FRITZ BURGER
3 Expressionism and Empathy: Fritz Burger’s Theory of Art
Introduction
Burger and Renaissance Italy: Between Expressionism and Empathy
1911: The Turn to the Modernists
1912: A Theory of Art Criticism
1913–1914: Theoretical Writings and Major Publications
1915–1916: The Expressionist as Empathic Art Historian
Critical Reception
Notes
4 From Cézanne and Hodler: Introduction to the Problems of Contemporary Painting (1913)
Foreword
Problems of Modern Painting
Notes
PART III: ERNST HEIDRICH
5 Ernst Heidrich as an “Expressionist” Art Historian A Look at Vlaemische Malerei and Other Volumes Written for the Jena Arts Publisher Eugen Diederichs
Notes
6 From Flemish Painting (1913)
Notes
PART IV MAX DVOÁK
7 Inventing “Mannerist Expressionism”: Max Dvoák and the History of Art as History of the Spirit
Vienna, November/December 1920: Max Dvorák Gives Lectures on Tintoretto
Tintoretto as Painter of the Spiritual around 1920: Ernst Bloch, Max Dvorák, Emil Waldmann, and the Legacy of Henry Thode
Max Dvorák in 1917: Mannerism as the Expressionism of the Sixteenth Century
Prerequisites I: From the Baroque to Modernity and the Crisis of Evolutionary Paradigms of Art History (1900 to c. 1914)
Prerequisites II: The Turn to the History of Spirit under the Sign of an Antinaturalistic and Idealistic Modernity (c. 1912–1917)
Tertium Datur: Mannerism as a Subjective Art of Expression beyond Naturalism and Aestheticism (c. 1917–1921)
Max Dvorák, an Expressionist Art Historian?
Notes
8 “Tintoretto” (1920)
Note
9 Foreword to Oskar Kokoschka: Variations on a Theme (1921)
PART V: HEINRICH WÖLFFLIN
10 Heinrich Wölfflin and the German Sense of Form
Form as Expression
Ausdruck and Art History
The Subject of Expression
Notes
11 “Italy and the German Sense of Form” (1921–1922)
12 “Principles of Art History: A Revision” (1933)
Notes
PART VI: CARL EINSTEIN
13 Carl Einstein and Expressionism: The Case of Ernst Ludwig Kirchner
Notes
14 “Ernst Ludwig Kirchner,” from Art of the Twentieth Century (1926)
Note
15 “Kandinsky” (1926)
Note
16 “George Grosz” (1926)
Notes
Bibliography
General Sources
Fritz Burger
Max Dvorák
Carl Einstein
Ernst Heidrich
Heinrich Wölfflin
Wilhelm Worringer
Index