دانلود کتاب The Global Film Book

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Cover
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
List of illustrations
Acknowledgements
Guidance notes for readers
Introduction
First thoughts
World or global?
Industry and culture
What does this mean to you?
Dealing with Hollywood
How do we see the world?
Life of Pi: a global film?
Studying film
How the book is organised
Information and resources
References and further reading
1.
The development of global film
The story begins
The first studios
Before ‘language cinema’
European war and the rise of Hollywood
Changes with sound
Dubbing and subtitling in global film
Case study 1.1: Subtitling and La haine
The context for Hollywood’s hegemony
The international film market today
International art cinema
It’s not all feature films …
Summary
References and further reading
2.
The Hollywood studio model
Global Hollywood
Genre production and the studio model
Genre in a global context
The western
Melodramas
Star systems
Modern, modernity and modernism
Hollywood strategies: adaptations, remakes, re-workings
Hollywood and transnational genre production
Case study 2.1: Remaking romantic comedy: My Sassy Girl
Summary
References and further reading
3. Approaching films from different cultures
Enjoyment in watching films
Case study 3.1: Die Welle
Case study 3.2: Y tu mamá también
Case study 3.3: At 5 in the Afternoon
Case study 3.4: Ten Canoes
Summary
References and further reading
Further viewing
4. National cinemas in Europe: contrasting experiences
Defining national cinema
Defining the domestic film industry: national cinema as economic entity
France and the UK: the same but different?
Diaspora cinema in Europe
Diaspora filmmaking in the UK
Case study 4.1: Gurinder Chadha as a British diaspora filmmaker
Diaspora filmmaking in France
European regional filmmaking: Nordic cinema
Case study 4.2: Two Nordic films: Everlasting Moments, Headhunters
Nordic cinema: the American and British connection
Spanish national cinema: shaped by history
Summary
References and further reading
Further viewing
5. Decentring the Hollywood domination debate: Japan and South Korea
Problematising the study of Japanese cinema
Orientalism
Japanese films in the contemporary UK market
The contemporary filmed entertainment market in Japan
Japan and its ‘classical’ cinema
Manga and anime
Case study 5.1: The Girl Who Leapt Through Time
Cinema of South Korea
The South Korean blockbuster
The Korean Wave: Hallyu
A mature industry of variety?
Summary: cinemas in opposition to Hollywood or going their own way?
References and further reading
Further viewing
6. Middle East without borders
Where is the ‘Middle East’?
‘Without borders’
The film industries and film cultures of the Middle East
Local film industries
Turkish film culture and industry
Case study 6.1: Uzak
Iranian cinema
Case study 6.2: Nader and Simin: A Separation
Egyptian cinema
Case study 6.3: Microphone
Lebanese cinema
Case study 6.4: Caramel
European funding and support
Dreams of a nation: Palestine
Case study 6.5: Two films from Hany Abu-Assad
Israeli cinema and the ‘periphery’
Case study 6.6: Young Israelis at war
Summary
References and further reading
Further viewing
7. International art cinema and the festival circuit
The origins of ‘art cinema’
Auteur filmmaking
The role of film festivals
Case study 7.1: Films from the South, Oslo
The ‘festival film’
Claire Denis, auteur filmmaker
Case study 7.2: 35 rhums
Case study 7.3: A ‘festival film’?
Contemporary art cinema prospects
Artists’ films
Summary
References and further reading
Web material
Further viewing
8. Cinema that needs to be different?
Defining ‘Third Cinema’
‘Imperfect cinema’ in Cuba
From Third Cinema to postcolonialism
Basic concepts associated with postcolonialism
‘African cinemas’
The legacy of British colonialist policies for film culture
Film in Francophone Africa
Sembène Ousmane and sub-Saharan African filmmaking
Case study 8.1: Third Cinema and Sembène’s Xala
FESPACO, the diaspora and the academy
Nollywood
Case study 8.2: Araromire
Summary
References and further reading
Further viewing
9.
Global television
Television and non-standard technologies
The ‘filmed’ TV series
The British telefilm
The development of US television production
Case study 9.1: Fremantle Media
Television films
How is a TV film different?
How do you watch?
Classical Hollywood, TV movies and reality TV
Video cinema
International TV trade
Contra-flows in the international television market
Telenovelas: soap, romance and melodrama
The origins of the telenovela
Ramadan dramas
Nordic crime fiction
Crime fiction and its readers
Danish serials
Case study 9.2: Yellow Bird
Summary
References and further reading
Further viewing
10. Diverse Indian cinemas
Outline history of film in India
Language diversity
Hindi cinema
Bollywood examined
Bollywood and ‘Indian popular cinema’
Changing audiences for Bollywood
Statistics and the Indian film industries
The corporatisation of Indian media
Nationalism, sectarianism and ‘India Shining’
Case study 10.1: 3 Idiots
Case study 10.2: Endhiran
Bengali cinema, art and politics
New Indian cinema and parallel cinema
Indian diaspora filmmakers
New Bengali cinema and the parallel legacy
Case study 10.3: 15 Park Avenue
‘New Bollywood’?
Case study 10.4: Anurag Kashyap and ‘independent’ Indian films
Summary
References and further reading
Further viewing
11. Chinese cinemas
Chinese cinemas viewed from outside China
Early history of cinema in China
Cinema in the People’s Republic of China (PRC)
Building on tradition
The emergence of the Fifth Generation filmmakers
Case study 11.1: Xie Jin
Case study 11.2: Zhang Yimou
The Sixth Generation
Hong Kong cinema: Chinese cinema as commercial cinema
Case study 11.3: Ann Hui
Cinema in Taiwan
Case study 11.4: Hou Hsiao-hsien
Chinese diaspora cinema in Southeast Asia
Mainland Chinese cinema since the 1990s
Case study 11.5: Feng Xiaogang
Case study 11.6: Jia Zhangke
Action men and suffering women?
Summary
References and further reading
Further viewing
12.
Looking to the future
New markets: Southeast Asia
Case study 12.1: Eric Khoo and Zhao Wei Films
Will Hollywood’s hegemony last?
The potential of the BRICs and MIKT
The gaming industry
Digital cinema and cultural policy
Winners and losers in digital cinema?
E-cinema and digital diversity
Online film
Summary: the bigger picture
References and further reading
Glossary of key terms
Indices
Film titles
Names
Selected key terms