دانلود کتاب The Indigenous Lens?: Early Photography in the Near and Middle East

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Contents\nFOREWORD\nNOTE ON TRANSLITERATION\nIntroduction: Early Photography in the Near and Middle East and the Notion of an “Indigenous Lens”\nHistories\nThe Search for an Ottoman Vernacular Photography\nPhotography during the Qajar Era, 1842–1925\nBiographies\nGeographies Traced and Histories Told: Photographic Documentation of Land and People by ʿAbdollah Mirza Qajar, 1880s–1890s\nEarly Photography of the Holy Sites of Islam in the Arabian Peninsula\nRelocating Sevruguin: Contextualizing the Political Climate of the Iranian Photographer Antoin Sevruguin (c. 1851–1933)\nPractices\nThe Ottoman in Ottoman Photography: Producing Identity through its Negation\nWritten Images: Poems On Early Iranian Portrait Studio Photography (1864–1930) and Constitutional Revolution Postcards (1905–1911)\nThe Gate of the Bosporus: Early Photographs of Istanbul and the Dolmabahçe Palace\nThe Heroic Lens: Portrait Photography of Ottoman Insurgents in the Nineteenth-Century Balkans—Types and Uses\nlass Plates and Kodak Cameras: Arab Amateur Photography in the “Era of Film”\nArchives\nThe Photography Studio of the Naseri Harem in Nineteenth-Century Iran\nThe Photograph Alb ums of the Royal Golestan Palace: A Window into the Soci al Hi story of Iran during the Qajar Era\nHow a Former Museum of Modern Art Curator Assembled an International History of Photography Collection for Iran in the 1970s\nWorks Cited\nLIST OF CONTRIBUTORS