دانلود کتاب The Methuen Drama Companion to Performance Art

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Title Page Copyright Page Contents Figures Acknowledgments Part I: Introduction Chapter 1.1: Squaring Performance Art I Setting the Stage II A Contrapuntal Arrangement Notes References Part II: Issues and Problems: Future Directions in Performance Art Research Chapter 2.1: Reruns or New Turns Communality of Performance Art Reruns or New Turns New Modalities of Spectatorship, Criticism, and Artist Agency Notes References Chapter 2.2: Cross-disciplinarity and Antitheatrical Historiographies of Performance Art Notes References Part III: Essays Chapter 3.1: How Performance Art Makes History: Artists’ Auto-histories of Happenings and Fluxus in the 1960s Documenting Performance Art’s Histories: Accounting for Happenings Diagramming Performance Art’s Histories: Mapping Fluxus The “Tomorrow’s Pasts” of Performance Art Notes References Chapter 3.2: Queer Performativity: A Critical Genealogy of a Politics of Doing in Art Practice Popular/Academic Discourses of Gender Performance or Queer Performativity Tracing a Genealogy Performativity in Linguistics, Philosophy, and Art: “Saying” (or Making) as Doing Performativity and Queer/Feminist Performance and Theory What is Queer? What is the Performative? What is Queer Performance? What Can the Queer Performative Do for Us? Concluding Thoughts Notes References Chapter 3.3: Taking Up Instructions for Becoming Coda Notes References Chapter 3.4: Caring for Black Corporealities: Experimental Black Performance Notes References Chapter 3.5: Between Contemporary Art and Performance: Dramaturgy and Flow Play, Performance, and Rethinking Experience in the Space of Art The Complexity of Belonging Dramaturgy: Visuality and Performance Notes References Chapter 3.6: Acting Ethical: Performance Art Goes Public Notes References Chapter 3.7: Compassionate Acts: Performance as Radical Care Radical Intimacies Methodologies of Care The Space between Bodies The Latitude of a Body What Holds Us Notes References Chapter 3.8: The Labor of the Artist, Feminist Practices, and Troubles with Infrastructure I II Notes References Chapter 3.9: Gestural Study Regimentation and Recording The Affectory The Coming Body Language Open Ending Notes References Chapter 3.10: Stomaching It: Testing Endurance in Black Performance Art Notes References Chapter 3.11: Performative Bodies and Artists/Spectators: The Case of Radical Latina and Latin American Women Artists in Exhibition Notes References Chapter 3.12: Framing Live Art Notes References Chapter 3.13: From the Institution of Performance to the Performance of Institutions The Fear of “Speculation” Measuring Museums, or the Institution of Performance The “Spectrality” of the Not-So-Live Arts The Performance of Institutions Notes References Chapter 3.14: Performance in the Age of the Technosphere Life in the Technosphere Mixing up Bodies Immersion and the Technical Umwelt The New Beings are Released or How Machines Experience Algorithms Take Command Unthought: The Birth of Microperformativity Notes References Part IV: Annotated Bibliography and Resources Annotated Bibliography 1 Histories of Performance Art from Western Europe and North America 2 Global Performance: Histories and Theories at the Edge of the “West” 3 Performance at the Intersection of Feminism, Queerness, and Critical Race Studies 4 Biopolitics—Corporealities—Body Art—Endurance Art 5 Philosophies of Performance 6 Performance and the Participatory, Social, Public, AND Documentary 7 Performance and Intermediality, New Media, and Digital Culture 8 Reperformance and Archive; Performance/Dance in the Gallery; Curating Live Arts 9 Exhibition Catalogs 10 Online Resources and Archives 11 Journals and Magazines: Special Issues Contributors Index