دانلود کتاب The Middle Ages in Popular Imagination: Memory, Film and Medievalism

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Cover
Half-title
Title
Copyright
Contents
List of Figures
Acknowledgements
Transcription Conventions
Introduction
1. The Public Understanding of the Past
How Not to Study Historical Consciousness
Doing it Right: The Presence of the Past
Lessons of The Presence of the Past and its Successors
Another Approach: Qualitative Methods
The Middle Ages in Popular Imagination and its Methodology
Conclusion
2. Their Understanding of the Middle Ages
Choosing Words Carefully: ‘Medieval’ or ‘Middle Ages’?
The ‘Medieval’ ‘Middle Ages’
When Were the Middle Ages?
Where Were the Middle Ages?
Perceptions of Medieval Religion and Crusade
Learning the Middle Ages
Popular Culture
Conclusion
3. Learning History from Film
How the Public Views Historical Films
The Sociology of Knowledge and Constructivism
Leaning History from Film
Conclusion
4. The Medieval Film
Approaching Medieval Films
Examining the Corpus and Audience of Medieval Films
Conclusion: Does This Affect the Audiences of Medieval Films?
5. The Middle Ages They Watched
Beowulf
Kingdom of Heaven
The Lord of the Rings: The Return of the King
Conclusion
6. The Medieval Worlds They Found
Medieval Society: Mad, Bad, and Dangerous to Know
Gender
Power
The Land
Religion
Conclusion: How Did the Participants Learn?
7. Discussion, Conclusions, and Looking Forward
The Utility of Qualitative Research
The Shape of Knowledge of the Middle Ages
Implications for the Classroom
Onward
Appendix A. Using Social Science Methods to Study Historical Consciousness
Quantitative Methods
Qualitative Methods
Appendix B. Methodology of The Middle Ages in the Popular Imagination Study
Qualitative Data Analysis Procedures
Research Design Rationale
Notes
Works Cited
Index