دانلود کتاب The MIDI Manual: A Practical Guide to MIDI within Modern Music Production (Audio Engineering Society Presents) 4th Edition

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Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
Foreword
Chapter 1 What Is MIDI?
The Digital World
What MIDI Isn’t
What MIDI Is
MIDI 1.0 – A Brief History
MIDI 2.0 – A More Recent History
Why Is MIDI?
MIDI in the Home Studio
MIDI on the Go
MIDI in the Studio
MIDI in Audio-for-Visual and Film
MIDI in Live Performance
MIDI and Multimedia
MIDI on the Phone
Chapter 2 The MIDI 1.0 Spec
The MIDI Message
MIDI Channels
Auto-Channelizing
MIDI Modes
Poly/Mono
Omni On/Off
Base Channel
Channel Voice Messages
Note-On Messages
Note-Off Messages
All Notes Off
Pressure (AfterTouch) Messages
Channel Pressure Messages
Polyphonic Key Pressure Messages
Program Change Messages
Pitch Bend Messages
Control Change Messages
Controller ID Numbers
Controller Values
Explanation of Controller ID Parameters
Bank Select
System Messages
System-Common Messages
MTC Quarter-Frame Messages
Song Position Pointer Messages
Song Select Messages
Tune Request Messages
End of Exclusive Messages
System Real-Time Messages
Timing Clock Messages
Start Messages
Stop Messages
Continue Messages
Active Sensing Messages
System Reset Messages
System-Exclusive Messages
Universal Non-Real-Time System Exclusive
Universal Real-Time System Exclusive
Running Status
Chapter 3 The MIDI 2.0 Spec
Introduction to MIDI 2.0
The Three Bs
Bi-Directional Communication
Backwards Compatibility
Both Protocols
Higher Resolution for Velocity and Control Messages
Tighter Timing
Sixteen Channels Become 256
Built-in Support for “Per-Note” Events
MIDI 2.0 Meets VST 3
MIDI Capability Inquiry (MIDI-CI)
The Three Ps
Profile Configuration
Property Exchange
Protocol Negotiation
The Universal MIDI Packet
Message Types
Groups
Jitter Reduction Timestamps
MIDI 1.0 Protocol inside the Universal MIDI Packet
MIDI 2.0 Protocol Messages
Expanded Resolution and Expanded Capabilities
MIDI 2.0 Program Change Message
New Data Messages for MIDI 1.0 and MIDI 2.0 Protocol
The Future of MIDI 1.0
The Future of MIDI 2.0
Chapter 4 Systems Interconnections
The MIDI Cable
MIDI Jacks
MIDI In Jack
MIDI Out Jack
MIDI Thru Jack
MIDI Echo
The Daisy Chain
The Multiport Network
Alternative Ways to Connect MIDI to the Peripheral World
USB System Architecture
Wireless MIDI
The MIDI Interface in Real-World Applications
Another Word about Audio Inputs
Simple Daisy Chain Routing
Multiple and Multiport MIDI Interface Routing
Virtual Plugin Routing
Chapter 5 Electronic Instruments
Inside the Toys
The Synth
Rack Synth
Software Synth
A Synth in Every Pocket
The Sampler
The Hardware Sampler
The Software Sampler
The Drum Machine and MPC-Style Production
Integrated Music Production Systems
Chapter 6 Controllers
Keyboard Controllers
Alternative Keyboard Controllers
Drum Controllers
The Keyboard as a Percussion Controller
Pad Controllers
Drum Pad Controllers
MIDI Drums
MIDI-fying Acoustic Drums
Replacing Drum Tracks
Alternative Percussion Devices
Making Beats MPC Style
Rolling Your Own
Guitar and Bass Guitar Controllers
Wind Controllers
Performance Pad Controllers
Chapter 7 Groove Tools
The Basics
Time and Pitch Change Techniques
Warping
Beat Slicing
Looping Your DAW
Groove and Loop-Based Plug-ins
FL Studio
Reason
Loop-Based Hardware/Software Systems
Rewiring Groove Tools
Groove and Loop Hardware
Pulling Loops into a DAW Session
Collecting Loop Files
Chapter 8 Audio and the DAW
The Mac
The PC
The iOS
The Digital Audio Workstation
System Interconnectivity
USB
Thunderbolt
FireWire
Audio over the Ethernet
The Audio Interface
Audio Driver Protocols
Latency
Sound File Formats
Sound File Sample and Bit Rates
DAW Controllers
Hardware Controllers
Instrument Controllers
Touch Controllers
Audio and the DAW
Sound Recording and Editing
Real-Time, on-Screen Mixing
DSP Effects
Equalization
Dynamics
Delay
Pitch and Time Change
ReWire
Mixdown and Effects Automation
Exporting a Final Mixdown to File
Chapter 9 MIDI and the DAW
Basic Introduction to Sequencing
Setting a Session Tempo
Changing Tempo
Click Track
Setting up a Track
Multi-Track MIDI Recording
Punching in and out
Pre-Count
Record Loop
Stacking
MIDI Editing
MIDI Track Editing
Piano Roll Editor
Snap to …
Notation Editor
Drum Pattern Entry
Event Editor
Step Time Entry
Practical Editing Techniques
Transposition
Quantization
Humanizing
Swing
Slipping in Time
Editing Controller Values
Thinning Controller Values
Filtering MIDI Data
Mapping MIDI Data
Program Change Messages
System Exclusive
MIDI Tracks
Splitting Tracks
Merging Tracks
Layering Tracks
MIDI Echo, Echo, Echo …
MIDI Processing Effects
Audio-to-MIDI
MIDI-to-Audio
Replacing Audio Tracks via MIDI
Saving Your MIDI Files
Documentation
Playback
Mixing a Sequence Using Continuous Controllers
Chapter 10 The iRevolution
Audio and the iOS
Core Audio on the iOS
AudioBus
Audio Units for the iOS
Audio Connectivity
MIDI Connectivity
Recording Using iOS
Handheld Recording Using iOS
Mixing with iOS
iDAWs
Taking Control of Your DAW Using the iOS
The iOS on Stage
iOS and the DJ
iOS as a Musical Instrument
Ability to Accessorize
Chapter 11 Sync
Synchronization
Synchronization between Media Transports
Time Code
Master/Slave Relationship
Time Code Word
Time Code Frame Standards
Time Code within Digital Media Production
Broadcast Wave File Format
Sync in the Pre-MIDI Era
Click Sync
TTL and DIN Sync
FSK
MIDI-Based Sync
MIDI Sync
MIDI System Real-Time Messages
Internal/External Sync Using System Real-Time Messages
MIDI Time Code
MIDI Time Code Messages
SMPTE/MTC Conversion
Sync in the Digital Age
DAW Support for Video, Picture and Other Media Sync
Routing Time Code to and from Your Computer
Keeping out of Trouble
Chapter 12 Multimedia and the Web
The Multimedia Environment
The Computer
Television and the Home Theater
Delivery Media
Networking
The Web
The Cloud
Physical Media
The CD
The DVD
Blu-Ray
The Flash Card and Memory USB Stick
Media Delivery Formats
Uncompressed Sound File Formats
PCM Audio File Formats
DSD Audio
Compressed Codec Sound File Formats
Perceptual Coding
MP3
MP4
WMA
AAC
FLAC
Tagged Metadata
MIDI
Standard MIDI Files
General MIDI
Graphics
Video
Multimedia in the “Need for Speed” Era
On a Final Note
Chapter 13 Music Notation and Printing
Entering Music Data
Scanning a Score
Editing a Score
Playing back a Score
Displaying and Printing out a Score
Chapter 14 The Art of Production
The Art of Preparation
Getting the Best out of Your Project
The Art of Recording
Microphones
The Preamp
The Interface
In the Production Studio
Documentation
Name That Track
Organize Your Colors
Visual Groupings and Subfolders
The Art of Mixing
Ear Training
Mixing and Balancing Basics
Preparation
Human Factors
Getting Too Close to the Mix
The Art of Mastering
Level and General Balance Management
Song Sequencing: The Natural Order of Things
Authoring
Metadata
The Two-Step (Integrated) Mastering Option
The Art of Backing up
The Art of Distribution, Marketing and Sales
Distribution
Marketing
Sales
Studio Tips and Tricks
Household Tips
Musician’s Tools
A Word on Professionalism
Choosing Your Gear
DIY
Protect Your Investment
Taking Care of Your Most Valuable Investment … You!
Update Your Software
Read, Read, Read…
In Conclusion
Index