دانلود کتاب The Oxford Handbook of Dance and Reenactment

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Contents
Acknowledgments
List of Contributors
1. Introduction: The Power of Recall in a Post-Ephemeral Era • Mark Franko
PART I. PHENOMENOLOGY OF THE ARCHIVE
2. Tracing Sense/ Reading Sensation: An Essay on Imprints and Other Matters • Martin Nachbar
3. Giving Sense to the Past: Historical D(ist)ance and the Chiasmatic Interlacing of Affect and Knowledge • Timmy De Laet
4. Martha@ . . . The 1963 Interview: Sonic Bodies, Seizures, and Spells • Richard Move
PART II. HISTORICAL FICTION AND HISTORICAL FACT
5. Reenactment, Dance Identity, and Historical Fictions • Anna Pakes
6. Bound and Unbound: Reconstructing Merce Cunningham’s Crises • Carrie Noland
7. The Motion of Memory, the Question of History: Recreating Rudolf Laban’s Choreographic Legacy • Susanne Franco
PART III. PROLEPTIC ITERATION
8. To the Letter: Lettrism, Dance, Reenactment • Frédéric Pouillaude
9. Letters to Lila and Dramaturg’s Notes on Future Memory: Inheriting Dance’s Alternative Histories • Kate Elswit with letters by Rani Nair
PART IV. INVESTIGATIVE REENACTMENT: TRANSMISSION AS HEURISTIC DEVICE
10. (Re)enacting Thinking in Movement • Maaike Bleeker
11. Not Made by Hand, or Arm, or Leg: The Acheiropoietics of Performance • Branislav Jakovljević
12. Pedagogic In(ter)ventions: On the Potential of (Re)enacting Yvonne Rainer’s Continuous Project/Altered Daily in a Dance Education Context • Yvonne Hardt
PART V. ENACTING TESTIMONY/ PERFORMING CULTURAL MEMORY/SPECTATORSHIP AS PRACTICE
13. What Remains of the Witness? Testimony as Epistemological Category: Schlepping the Trace • Susanne Foellmer
14. Baroque Relations: Performing Silver and Gold in Daniel Rabel’s Ballets of the Americas • VK Preston
15. Reenacting Kaisika Natakam: Ritual Dance-Theater of India • Ketu H. Katrak with Anita Ratnam
16. Gloriously Inept and Satisfyingly True: Reenactment and the Practice of Spectating • P. A. Skantze
PART VI. THE POLITICS OF REENACTMENT
17. Blasting Out of the Past: The Politics of History and Memory in Janez Janša’s Reconstructions • Ramsay Burt
18. Reenactment as Racialized Scandal • Anthea Kraut
19. Reenacting Modernist Time: William Kentridge’s The Refusal of Time • Christel Stalpaert
PART VII. REDISTRIBUTIONS OF TIME IN GEOGRAPHY, ARCHITECTURE, AND MODERNIST NARRATIVE
20. Quito-Brussels: A Dancer’s Cultural Geography • Fabián Barba
21. Dance and the Distributed Body: Odissi and Mahari Performance • Anurima Banerji
22. Choreographic Re-embodiment between Text and Dance • Susan Jones
PART VIII. EPISTEMOLOGIES OF INTER-TEMPORALITY
23. Affect, Technique, and Discourse—Being Actively Passive in the Face of History: Reconstruction of Reconstruction • Gerald Siegmund
24. Epilogue to an Epilogue: Historicizing the Re- in Danced Reenactment • Mark Franko
25. The Time of Reenactment in Basse Danse and Bassadanza • Seeta Chaganti
26. Time Layers, Time Leaps, Time Loss: Methodologies of Dance Historiography • Christina Thurner
PART IX. REENACTMENT IN/AS GLOBAL KNOWLEDGE CIRCULATION
27. (In)distinct Positions: The Politics of Theorizing Choreography • Jens Richard Giersdorf
28. Scenes of Reenactment/Logics of Derivation in Dance • Randy Martin
29. A Proposition for Reenactment: Disco Angola by Stan Douglas • Catherine M. Soussloff
30. Dance in Search of Its Own History: On the Contemporary Circulation of Past Knowledge • Sabine Huschka
Afterword: Notes after the Fact • Lucia Ruprecht
Index