دانلود کتاب The Palgrave Handbook of Shakespeare's Queens

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Acknowledgments
Contents
Notes on Contributors
List of Abbreviations
Chapter 1: Introduction
Bibliography
Part I: General Studies
Chapter 2: Stagecraft and Statecraft: Queenship and Theatricality on the Shakespearean Stage
The Queen’s Two Bodies
A Player’s Two Bodies
“Wanton Queans” and Queens on Stage
Bibliography
Chapter 3: Shakespeare’s Queens and Collective Forces: Facing Aristocracy, Dealing with Crowds
The Unexpected Power of Shakespeare’s First Queen
From She-wolf of France to Nemesis
Failed Queenship?
The Politics of Love
Dealing with Common People: A Touchstone for Shakespeare’s Queens?
Bibliography
Part II: Queenship and Sovereignty
Chapter 4: “I Trust I May Not Trust Thee”: Queens and Royal Women’s Visions of the World in King John
Bibliography
Chapter 5: Cordelia, Foreign Queenship, and the Commonweal
Bibliography
Chapter 6: “Tremble at Patience”: Constant Queens and Female Solidarity in The Two Noble Kinsmen and The Winter’s Tale
The Late Queens: Queens in Shakespeare’s Last Plays, and Nostalgia for Elizabeth I
“Tremble at Patience”: The Winter’s Tale
“Lend Us a Knee”: The Two Noble Kinsmen
Bibliography
Part III: Queenship and Motherhood
Chapter 7: “To Beare the Name of a Quéene”: Eleanor, Duchess of Gloucester and Lady Macbeth: Queenship and Motherhood
Holinshed’s Chronicles and Shakespeare
Eleanor: From Holinshed’s Chronicles to 2 Henry VI
Lady Macbeth: From Holinshed’s Chronicles to Macbeth
Eleanor and Lady Macbeth: Queenship and Motherhood
Conclusion
Bibliography
Chapter 8: Womb Rhetoric: The Martial Maternity of Volumnia, Tamora, and Elizabeth I
Volumnia: The War-Making Womb
Tamora: Transitioning from Womb to Rhetoric
Elizabeth: Childless Mother of a Nation
Martial Maternity in Its Own Words
Bibliography
Chapter 9: “Good queen, my lord, good queen”: Royal Mothers in Shakespeare’s Plays
Bibliography
Part IV: Queenship and Rhetoric
Chapter 10: Margaret of Anjou and the Rhetoric of Sovereign Vengeance
Revenge as a Rhetoric of Empowerment
Gender and Revenge in the Sixteenth Century
Margaret and (Anti-)Social Agency
Bibliography
Chapter 11: “I Can No Longer Hold Me Patient!”: Margaret, Anger, and Political Voice in Richard III
Bibliography
Chapter 12: Shakespeare’s Cleopatra as Meta-Theatrical Monarch
Bibliography
Part V: Absent/Missing Queens
Chapter 13: “Nothing Hath Begot My Something Grief”: Invisible Queenship in Shakespeare’s Second Tetralogy
“Flattering Glass”: Richard II and the Mirror of Queenship
“A Woman’s Voice May Do Some Good”: Absent Queenship in the Henriad
Conclusion
Bibliography
Chapter 14: The Queen’s Two Bodies in The Winter’s Tale
Double Bodies: Dividing the Queen
Redemption and Resurrection: The Queen’s New Body Natural
Bibliography
Chapter 15: The Political Aesthetics of Anne Boleyn’s Queenship in Henry VIII
Henry’s Political Performance and Tudor-Stuart Mythologies
Shifting Orders, Shifting Roles, Shifting Queens
Containing the Subject
Bibliography
Chapter 16: The Fortification and Containment of Elizabeth I’s Rhetoric and Performance in Shakespeare and Fletcher’s Henry VIII
Elizabeth’s Two Bodies
Cranmer’s Allusion to the Queen’s Two Bodies
Containing the Queen’s Rhetoric?
The Cyclical Replacement and Containment of the Female Body
Conclusion
Bibliography
Part VI: Staging Queens and Contemporary Politics
Chapter 17: The Princess’ Political Mission in Love’s Labour’s Lost: The Embassy to Get Aquitaine and “All that Is” Navarre’s
Bibliography
Chapter 18: Katherine of Aragon, Protestant Purity, and the Anxieties of Cultural Mixing in Shakespeare and Fletcher’s Henry VIII
Bibliography
Chapter 19: “The Ambition in My Love”: The Theater of Courtly Conduct in All’s Well that Ends Well
Emotional Management and Courtly Honor
Status and Survival
“The Ambition in My Love”
Conclusions
Bibliography
Part VII: Queenship and Intertextuality
Chapter 20: As Wise as She Is Beautiful: Reconciling Shakespeare’s Fairy Queen and Spenser’s Faerie Queene
Titania and Gloriana as Elizabethan Representations or Literary Foils
Titania and Gloriana as Rulers of Fairy Realms
The Fairy Queens and Genre
Conclusion
Bibliography
Chapter 21: The Princess of France: Difference and Dif(fé)rance in Love’s Labour’s Lost
Gender Difference
France and Navarre
Différance
Bibliography
Chapter 22: “A Gap in Nature”: Rewriting Cleopatra Through Antony and Cleopatra’s Cosmology
Works Cited
Chapter 23: En un infierno los dos: Katherine of Aragon and Anne Boleyn in Shakespeare & Fletcher’s Henry VIII and Calderón’s La cisma de Inglaterra
Historical Context and Source Material
As Honor Plays
Motherhood: Redemption and Damnation
Wife and Queen: Authority, Vice, and Vindication
Conclusion
Bibliography
Part VIII: Performing Queenship
Chapter 24: Margaret of Anjou: Shakespeare’s Adapted Heroine
Bibliography
Chapter 25: The Bard, the Bride, and the Muse Bemused: Katherine of Valois on Film in Shakespeare’s Henry V
Bibliography
Films
Novels
Online
Chapter 26: The “Squeaking Cleopatra Boy”: Performance of the Queen’s Two Bodies on the Early Modern Stage
Two Bodies
“Quick Comedians Extemporally Will Stage Us”
“Of Excellent Dissembling”
“I Have Nothing of Woman in Me”
“Harping on What I Am, Not What He Knew I Was”
“Let Women Die”
Conclusions
Works Cited
Afterword
Index