دانلود کتاب The Philosophy of Documentary Film: Image, Sound, Fiction, Truth

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Contents
Foreword: At the Center of Our Age
Introduction
THE MEDIUM, MORALS, AND METAPHYSICS OF DOCUMENTARY FILM
What Photography Calls Thinking
Cinematic Representation and Spatial Realism
Documentary Traces
The Limits of Appropriation
Inscribing Ethical Space
STRATEGIES AND STYLES OF DOCUMENTING WITH FILM
Before Documentary
Ruminating on the Ideologies of Nature Film
Jean Rouch’s Ciné-trance and Modes of Experimental Ethnofiction Filmmaking
The Ecstasy of Time Travel in Werner Herzog’s Cave of Forgotten Dreams
Habitats of Documentary
DOCUMENTARY THEORIST-FILMMAKERS AT WORK
Promises and Contracts Found in the Archive Are Not About the Past
“See and Remember”
Intimacy, Modesty, Silence
Provoking the Truth
Reinvisioning Dziga Vertov
Whose Strife Is It Anyway?
Redefining Documentary Materialism
INTERVENTIONS AND RECONSTITUTIONS OF DOCUMENTARY MODES, METHODS, AND MEANINGS
Four and a Half Film Fallacies
The Dogma 95 Manifesto
Minnesota Declaration
Omission and Oversight in Close Reading—The Final Moments of Frederick Wiseman’s High School
Cinematic Consciousness
Understanding (and) the Legacy of the Trace
The Big Short
Letter to Errol Morris
AUTO/BIOGRAPHY AND THE COMPOSITION OF IDENTITY IN DOCUMENTARY FILM
“You are Never Alone”
On Patience (After Sebald)
Fiction and Nonfiction in Chantal Akerman’s Films
Vérité Fiction, Dramatized Documentary
“Deceiving into the Truth”
A Reality Rescinded
Acknowledgments
Selected Bibliography
Index
Contributors