دانلود کتاب The Politics of Nordsploitation: History, Industry, Audiences

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Title Page\nCopyright Page\nContents\nFigures\nAcknowledgements\nChapter 1: The politics of Nordsploitation\n Periodization: Exploitation and Nordic exploitation\n Defining Nordsploitation\n Theories of exploitation\n The complexity of Nordsploitation\n The structure of the book\nChapter 2: A pre-1970s history of Nordic exploitation\n Exploitation as art/art as exploitation\n Documentary images with exploitative elements\n The absence of exploitation\n Conclusion\nChapter 3: Exploitative violence and pornography in the 1970s\n Conclusion\nChapter 4: Moral panic, VHS censorship and fan culture counterforces 1980–99\n The video violence moral panic in Sweden\n Moral panic within the hour\n A twenty-year-long aftermath\n VHS censorship in the bigger picture: Extremes and counterforces\n Conclusion\nChapter 5: The local and the transnational in Nordic exploitation cinema of the 1980s\n The Viking trilogy: Exploiting cultural history through genre film\n Nordic emulations of blockbusters\n The Visitors\n Visa Mäkinen and exploitation cinema from the margins\n Exploitation cinema goes mainstream\n Global exploitation: Arctic Heat (aka Born American)\n Conclusion\nChapter 6: The entertainment violence factoryMats Helge Olsson’s action films of the 1980s\n The beginnings: Working within the Swedish Film Industry as an outsider\n The entertainment violence factory: The Ninja Mission and the marketplace for Nordic exploitation\n At work: Production and exploitative themes\n Genre aspirations\n Olsson’s stars\n Conclusion\nChapter 7: The rise of transnational exploitation in the 1990s–2000s\n Nordic exploitation in the 1990s: Film genres in transition\n Going excessive: Nazi zombies from Norwegian mountains\n The 1990s to the 2010s: Film cultures in transition\n Artistic exploitation\n Conclusion\nChaper 8: Nordic Nazisploitation in the digital media environment of the 2000s\n The Nazi on film\n Nordic Nazisploitation: Dead Snow\n Comic Nazis: Iron Sky\n Carving space for neo-Nazisploitation\n Social media and Dead Snow\n Balancing ideologies\n Ideology strikes back\n Conclusion: The fanchise\nChapter 9: Kung Fu cops and killer bunnies: Proximity and distance strategies in Nordic exploitation film, 2010–19\n Contemporary patterns\n Policy incentives: The Nordic genre support programmes\n Going lo-fi\n Flirting with the mainstream\n Killer bunnies on the loose\n Conclusion\nChapter 10: Conclusion: Beyond the art house\nIndex