دانلود کتاب The Pop, Rock, and Soul Reader: Histories and Debates

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cover
Contents
Preface
1. Irving Berlin in Tin Pan Alley
2 Technology, the Dawn of Modern Popular Music, and the “King of Jazz
3. Big Band Swing Music
4. Solo Pop Singers and New Forms of Fandom
5. Hillbilly and Race Music
6. Blues People and the Classic Blues
7. The Empress of the Blues
8. At the Crossroads with Son House
9. Jumpin’ the Blues with Louis Jordan
10. On the Bandstand with Johnny Otis
11. The Producers Answer Back
12. Country Music as Folk Music, Country Music as Novelty
13. Country Music Approaches the Mainstream
14. Rhythm and Blues in the Early 1950s
15. “The House that Ruth Brown Built”
16. Ray Charles, or, When Saturday Night Mixed It Up with Sunday Morning
17. Jerry Wexler
18. The Growing Threat of Rhythm and Blues
19. From Rhythm and Blues to Rock ‘n’ Roll
20. Little Richard
21. Elvis Presley, Sam Phillips, and Rockabilly
22. Rock ‘n’ Roll Meets the Popular Press
23. The Chicago Defender Defends Rock ‘n’ Roll
24. The Music Industry Fight Against Rock ‘n’ Roll
25. The Brill Building and the Girl Groups
26. From Surf to Smile
27. Urban Folk Revival
28. Bringing It All Back Home
29. “For a Man to Be at Ease, He Must Not Tell All He Knows, Nor Say All He Sees
30. From R&B to Soul
31. No Town Like Motown
32. The Godfather of Soul and the Beginnings of Funk
33. “The Blues Changes from Day to Day
34. Aretha Franklin Earns Respect
35. The Beatles, the “British Invasion,” and Cultural Respectability
36. A Hard Day’s Night and Beatlemania
37. Two Takes on Sergeant Pepper
38. The British Art School Blues
39. The Stones versus the Beatles
40. If You’re Goin’ to San Francisco
41. The Kozmic Blues of Janis Joplin
42. Jimi Hendrix and the Electronic Guitar
43. Rock Meets the Avant-Garde
44. Festivals—The Good, the Bad, and the Ugly
45. Where Did the Sixties Go?
46. The Sound of Autobiography
47. Joni Mitchell: The Power of Insight
48. Sly Stone
49. Not-so-“little” Stevie Wonder
50. Parliament Drops the Bomb
51. Heavy Metal Meets the Counterculture
52. Led Zeppelin Speaks!
53. “I Have No Message Whatsoever
54. Rock Me Amadeus1
55. The Global Phenomenon of Reggae
56. Get On Up Disco
57. Punk
58. The Punk Rimbaud
59. Punk Crosses the Atlantic
60. Punk to New Wave?
61. A “Second British Invasion,” MTV, and Other Postmodernist Conundrums
62. Thriller Begets the “King of Pop
63. Madonna and the Performance of Identity
64. Bruce Springsteen
65. R&B in the 1980s
66. Heavy Metal Thunders On!
67. Metal in the Late Eighties
68. Parents Want to Know: Heavy Metal, the PMRC, and the Public Debate over Decency
69. Postpunk Goes Indie
70. Indie Brings the Noise
71. Hip-Hop, Don’t Stop
72. “The Music Is a Mirror”
73. Where Rap and Heavy Metal Converge
74. Hip-Hop into the 1990s
75. Nuthin’ but a “G” Thang
76. Keeping It a Little Too Real
77. Women in Rap
78. From Indie to Alternative to . . . Seattle?
79. Riot Girl
80. Grunge Turns to Scrung
81. “We Are the World”?
82. Genre or Gender?
83. Electronica Is in the House
84. R&B Divas Go Retr
85. Country in the Post–Urban Cowboy Era
86. New Adventures in Mediation
87. The End of History and the Mass-Marketing of Trivia
88. A World of Copies without Originals
89. Political Engagement and African American Popular Music in the 21st Century
90. EDM Grooves Onward
Selected Bibliography
Index