دانلود کتاب The Projected Nation: Argentine Cinema and the Social Margins

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Contents
Acknowledgments
Introduction: A History of Erasures
Chapter 1 National Modernization and the Production of Marginal Spaces in Early Feature Films
Filmmaking Autonomy in the 1910s
Three Gauchos
El último malón: Positivism, Early Ethnography and an Ethic for Civilización
Chapter 2 The Classical Cinema and the Perpetuation of a National Fantasy
Formal Conventions and Rural Space
The Cinema and National Modernization Projects of the 1930s
National Spaces and Masculinities
The Urban Margins and the End of the Classical Cinema: From Arrabal to Villa
Chapter 3 An Inquisitive Gaze on the Nation
The Birth of Cinephilia and the Short Film
Feature Films Outside the Industry
Nuevo Cine Narrative Feature Films
Militant Film and Rural Space
Fiction Films of the Primavera Camporista
Commercial Cinema Responses to the Inquisitive Gaze
Civilization, Discontents, and Scopophilia
Faith: In the Father and the Son and the Culture Industry
Chapter 4 Contemporary Cinema and the Neoliberal Social Margins
The Cruel Optimism of Country Life
Rural Space in Contemporary Film: Inquisitive Gazes on an Opaque World
Pino Solanas and the End of the Pueblo
Notes
Works Cited
Filmography
Index