دانلود کتاب The Routledge Companion to Dance Studies

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Cover
Title Page
Copyright Page
Table of Contents
Illustrations
Contributors
Acknowledgments
Introduction: Thematic structure, methodological frames, and analyses
PART I: Dance and corporeality: Training and engagement
1: Dancing the space: Butoh and Body Weather as training for ecological consciousness
2: The dancing body, power and the transmission of collective memory in Apartheid South Africa
3: Different bodies: A poetic study of dance and people with Parkinson’s
4: Resourcing/searching dance technique and education: Developing a praxeological methodology
5: The expanding possibilities of dance science
PART II: Dance and somatics
6: Performing the self: Dance, somatic practices, and Alexander Technique
7: Moving Kinship: Between choreography, performance, and the more-than-human
8: Moving as a Thought Process: The practice of choreography and stillness
9: Moving mind and body: Language and writings of Simone Forti
PART III: Dance and analysis
10: Choreomusicology and dance studies: From beginning to end?
11: Choreosonic wearables: Creative collaborative practices
12: The anarchive of contemporary dance: Toward a topographic understanding of choreography
13: Cubism, futurism, and Leonide Massine’s choreography for Parade
14: Whatever happened to dance criticism?
PART IV: Dance, society and culture
15: Black dance: Brooklyn 2017
16: Elroy Josephs and the hidden history of black British dance
17: A love song as a form of protest
18: Female dancers on the variety stage in mid-twentieth-century Britain
19: Selling and giving dance
PART V: Dance and time
20: Traditional dance in urban settings: ‘Snapshots’ of Greek dance traditions in Athens
21: Black star, other fetishized: Carlos Acosta, ballet’s new cosmopolitanism, and desire in the age of institutional diversity
22: Digital preservation of dance, inclusion, and absence
23: Dance and copyright: As time moves on
24: Algorithmic choreographies: Women whirling dervishes and dance heritage on YouTube
PART VI: Dance and scenography
25: Dressing dance–dancing dress: Lived experience of dress and its agency in the collaborative process
26: The scenography of choreographing the museum
27: Stacking the spine: Interdisciplinary reflections from BackStories
28: Longing for the subaltern: Subaltern historiography as choreographic tactic
PART VII: Dance, space and place
29: The strangeness of dancing: From The Changing Room and Singularity
30: Everyday life and urban marvels: The curious aesthetics of x-times people chair
31: Dance, theater, and their post-medium condition
32: Re-imagining Laban: Tradition, extinction, invention. Re-staging as creative contemporary practice
33: “Dancing through the hard stuff”: Repetition, resilience, and female solidarity in the landscape—Rosemary Lee’s Passage for Par
Index