دانلود کتاب The Self-Centred Art: Ben Jonson's Parts in Performance

فهرست مطالب :

Cover
Half Title
Series Page
Title Page
Copyright Page
Dedication
Contents
Acknowledgements
Introduction
1. Reconstructing Jonson’s parts
2. Jonson’s revisions
3. Jonson among the actors
4. Spectating parts
Case study: Cupid (Cynthia’s Revels (Q))
5. Humorous parts: sweet fools
Case study: Polish (The Magnetic Lady)
6. Humorous parts: bitter fools
Case study: Adam Overdo (Bartholomew Fair)
7. Apprentice parts
Case study: Frances Fitzdottrel (The Devil Is an Ass)
8. Plotting parts
Case study: Catiline (Catiline)
9. All parts assembled
Case study: The Alchemist 4.6–4.7
10. Taking the measure of Jonson’s plays
Conclusion
Bibliography
Appendix 1: Actors’ parts in case studies
1.1. Cupid (Cynthia’s Revels (Q))
1.2. Polish (The Magnetic Lady)
1.3. Adam Overdo (Bartholomew Fair)
1.4. Frances Fitzdottrel (The Devil Is an Ass)
1.5. Catiline (Catiline)
1.6. The Alchemist 4.6–4.7
Appendix 2: Sizes of Actors’ parts in Jonson’s plays
Index