دانلود کتاب The State of European Cinema: A New Dose of Reality

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Cover\nHalf-title\nTitle\nCopyright\nContents\nDedication\nAcknowledgements\nForeword\n1 Back to the Future: the New State of Play\n The summer of supposed strategy\n The GATT negotiations\n An agreement to disagree\n The GATT fudge\n The guarantee fund debate\n The Guarantee gap\n Open arms across the Atlantic\n US companies working with European talent\n Finding a future audience\n Notes\n2 Strategies for Development\n The idea problem\n Developing in pictures\n The European theory\n The practical advice\n The treatment catch\n The French approach\n The French future\n Policies towards development\n The ACE approach\n Training the writers\n The new development organization\n Putting theory into practice\n Notes\n3 Training for the Future\n The union background\n The UK education trap\n The German approach\n The freelance problem\n The French situation\n The Irish situation\n Selecting courses\n The film school approach\n Teaching producers?\n The UK situation\n On-the-job training\n The European dimension\n Additional support\n The future of training\n Notes\n4 Casting and Stars\n Star-struck?\n The television system\n The \'Nouvelle Vague\' legacy\n The tabloid\'truths\'\n The ambivalence barrier\n The business of casting\n The seller\'s viewpoint\n The British-Hollywood axis\n The French system\n Casting careers\n What can be done?\n Notes\n5 Europe\'s Corporate Players\n The Hollywood heritage\n Approaching risk\n European barriers\n THE STUDIOS\n The British situation\n Europe\'s production houses\n The Barrandov experience\n The Babelsberg disappointment\n THE \'MAJOR\' INDUSTRIALISTS\n Cautious Bertelsmann\n Grupo PRISA\'s rising star\n The Canal Plus phenomenon\n The Chargeurs group\n The CiBy 2000 boutique\n Pulling together the fragments\n Notes\nCase Study: PolyGram Filmed Entertainment\n PolyGram\'s selected film acquisitions since 1990\n Other production interests\n Distribution interests (to 1997)\n The method of entry\n The PolyGram green-light system\n Notes\n6 Co-production and Co-financing Strategies\n The increase in co-productions\n Jigsaw puzzles\n The additional costs of co-production\n The new trend towards co-development\n New models for partners\n The multilateral approach\n A single European market?\n New partnerships with North America\n Miramax\'s unique role\n Silence on language\n Notes\nCase Study: Eurimages\n A rapid growth\n The problem areas\n Spreading the finance\n Recoupment questions\n Distribution of Eurimages films\n Notes\n7 Support Mechanisms Across Europe\n Illusions of subsidy support\n A heated subject\n The different approaches\n What kinds of films are we making?\n The Spanish upswing\n The German scenario\n Berlin-Brandenburg Filmboard\n What is wrong with Germany?\n The new UK film world\n The Irish rejuvenation\n The French tax system\n The problem with tax breaks\n MEDIA IPs new wave\n Critics of MEDIA II\n The great debate\n Notes\n8 Feeding the Distribution Pipelines\n Implications of dominancy\n Business or culture?\n The tough end of the business\n The UK problem\n A changing landscape\n The French approach\n The EFDO dead-end\n The German standpoint\n The MEDIA II row\n MEDIA distribution\'s critics\n The juggernaut approach\n Notes\n9 The New Way Forward: The Effect and Role of New Technology\n Europe\'s information revolution\n The copyright problem\n How quickly will distribution outlets change?\n The technological snail: Video-On-Demand\n Household demographics\n How big will the cake be?\n The producer\'s quandary\n The start of niche and B-movie channels\n The effects on producers\n The production challenge\n Europe\'s Top 20 Audiovisual Companies\n Notes\nCase Studies\nTrainspotting\nFarinelli\nRob Roy\nTales of a Hard City\nThe Name of the Rose\nBreaking the Waves\nGuiltrip\nAntonia\'s Line\nCircle of Friends\nThe Flower of My Secret\nAppendices\nBibliography\nIndex