دانلود کتاب The Visibility of the Image: History and Perspectives of Formal Aesthetics

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Cover\nHalf-title\nTitle\nCopyright\nContents\nList of Figures\nForeword to the New Edition (2008)\nIntroduction\n1. The Beginnings of Formal Aesthetics: Robert Zimmermann (1824– 1898)\n 1.1 Formal logic as a model for formal aesthetics\n 1.2 The programme: A structural theory of the picture surface\n 1.3 Perspectives and problems in Herbartianism\n2. Formal Aesthetics and Relational Logic: Alois Riegl (1858–1905)\n 2.1 Transitions on the pictorial surface\n 2.2 Kunstwollen (the will to art): Making unlike things the same\n 2.3 Intensional and extensional relational logic\n3. The Logic of Ways of Seeing: Heinrich Wölffl in (1864–1945)\n 3.1 The relational logic of an image\n 3.2 Formal and transcendental aesthetics\n 3.3 The conditionality of perception\n4. From the Way of Seeing to Visibility: Konrad Fiedler (1841–1895)\n 4.1 The paradigms of formal aesthetics\n 4.2 Images produced technically: ‘For their visibility’s sake alone’\n 4.3 The disappearance of artistic claims to truth\n5. Phenomenological Reduction and Pictorial Abstraction: Maurice Merleau- Ponty (1908–1961)\n 5.1 Formal aesthetics and reduction\n 5.2 Visibility as quiddity\n 5.3 The abstract image\n6 From the Formula to Formative Discourse: Charles William Morris (1901–1979)\n 6.1 Images about images\n 6.2 Images as formulae\n 6.3 Th e formative discourse of fast image sequences\nNotes\nBibliography\nIndex