دانلود کتاب Theatre and Cultural Struggle under Apartheid

فهرست مطالب :

Cover\nAbout the Author\nTitle Page\nCopyright\nDedication\nContents\nMap\nList of Abbreviations\nForeword by Ian Steadman\nPreface\nIntroduction\n1. Culture and Social Relations in South Africa before 1976\n \'Objective Facts not Abstract Definitions\'\n Racial Segregation, Economic Exploitation and Political Oppression\n Race, Class and Nationality\n Class Formation and the Occupational Structure\n2. The Struggle for Social Hegemony\n \'Rule\' and \'Hegemony\'\n Social Hegemony in the Early Years of Nationalist Rule\n Social Hegemony Post-Sharpeville\n Social Hegemony in the Period Leading up to June 1976\n3. Alternative Hegemony in the Making\n Factors Inhibiting the Development of Class-Based Cultural Differentiation\n Factors Making for Class-Based Cultural Differentiation\n The Intellectuals\n The Intermediate Classes\n The Proletariat\n Language\n4. The Development of Theatre in South Africa up to 1976\n Traditional Drama\n Drama before 1950\n Drama before the Entertainment Segregation Laws\n Theatre before \'Soweto\'\n5. \'No-Man\'s Land\' — Fugard, and the Black Intellectuals\n \'Bohemia\' - Black and White Intellectuals in the Late 1950s\n No-Good Friday\n6. \'A Tremendously Exciting Inter-Racial Enterprise\'\n The Union of Southern African Artists\n The King Kong Production Team\n King Kong — The Play\n7. \'A Deep Insight into the Loves and Hates of Our People\'\n The Making of an \'Independent\' Entrepreneur\n Too Late — The Play\n8. \'A Dialogue of Confrontation\'\n Black Consciousness\n The Theatre Activity of the Black Consciousness Movement\n Mthuli Shezi and the People\'s Experimental Theatre\n Shanti — The Play\n9. Conclusion: \'The Future in Their Hands\'\n \'The Future in Their Hands\' — Notes on Majority Theatre\n Cultural Action of the Majority\n Majority Theatre\nNotes\nSelected Bibliography\nIndex