دانلود کتاب Theorising Performance: Greek Drama, Cultural History and Critical Practice

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Cover
Contents
List of Illustrations
Contributors
Acknowledgements
1. Introduction
I. Paradigms
2. Towards a Theory of Performance Reception
3. Performance as Event – Reception as Transformation
4. Greek and Shakespearean Plays in Performance: Their Different Academic Receptions
5. Cultural History and Aesthetics: Why Kant is No Place to Start Reception Studies
6. Performance, Reception, Aesthetics: Or Why Reception Studies Need Kant
7. From à la carte to Convergence: Symptoms of Interdisciplinarity in Reception Theory
8. Archiving Events, Performing Documents: On the Seductions and Challenges of Performance Archives
II. Mind, Body and the Tragic
9. Bringing Together Nature and Culture: On the Uses and Limits of Cognitive Science for the Study of Performance Reception
10. Does a Deleuzean Philosophy of Radical Physicality Lead to the ‘Death of Tragedy’? Some Thoughts on the Dismissal of the Climactic Orientation of Greek Tragedy
11. Generic Ambiguity in Modern Productions and New Versions of Greek Tragedy
III. Translating Cultures
12. Revising ‘Authenticity’ in Staging Ancient Mediterranean Drama
13. Towards Theorising the Place of Costume in Performance Reception
14. Performance Reception and the ‘Textual Twist’: Towards a Theory of Literary Reception
15. Negotiating Translation for the Stage
16. From Translation to Performance Reception: The Death of the Author and the Performance Text
IV. Practitioners and Theory
17. Acting Perspectives: The Phenomenology of Performance as a Route to Reception
18. Physical Performance and the Languages of Translation
19. ‘Spatial Poetics’ and Greek Drama: Scenography as Reception
20. Translating Greek Drama for Performance
Bibliography
Index
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