دانلود کتاب Theorizing Colonial Cinema: Reframing Production, Circulation, and Consumption of Film in Asia

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Cover
Title Page
Copyright
Contents
Acknowledgments
On Romanization, Naming, and Translation
Introduction: Revisioning Colonial Cinema / Nayoung Aimee Kwon and Takushi Odagiri
Part I. Time and Racialized Other: Colonial Modernity and Early Cinema
1. Time, Race, and the Asynchronous in the Colonial Documentaries of Malaya / Nadine Chan
2. Facing Malcontent Colonial Korean Comrades: A Typology of Colonial Cinema in Asia’s Socialist Alliances / Moonim Baek
3. Colonial-Era Film Theory, Spectatorship, and the Problem of Internalization / Aaron Gerow
4. Chinese Cinema’s Other: Wrangling over “China-Humiliating” Films (ruHua pian) / Yiman Wang
5. World Export: Melodramas of Colonial Conquest / Jane M. Gaines
Part II. Divided Mis-en-Scène: Colonial Cinema and Cold War Afterimages
6. Tarzan/Taishan and Other Orphans: Taiwan’s Melodrama of Decolonization / Zhang Zhen
7. What Is an Auteur? Ho Yong / Hinatsu Eitaro / Huyung between (Post) colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee
Part III. Millennial Hauntings: Rising Global Asian Cinemas
8. Cinema’s Coloniality / Takushi Odagiri
9. A Hallucinatory History of the Philippine-American War: Khavn’s Balangiga: Howling Wilderness / José B. Capino
10. Millennial Vengeance: Park Chan-wook’s Agassi (The Handmaiden) and the Return of Postcolonial Japonisme / Nayoung Aimee Kwon
Index