دانلود کتاب Through Hermopolitan Lenses, Studies on the So-called Book of Two Ways in Ancient Egypt

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‎Contents
‎List of Figures
‎Chapter 1: Introduction
‎Chapter 2: The Design of the Composition
‎Chapter 3: Design, Translation and Commentary
‎Chapter 4: Concluding Remarks
‎List of Tables
‎List of Plates
‎Preface and Acknowledgements
‎Chapter 1. Introduction
‎The publication of the Coffin Texts
‎The sources of the so-called Book of Two Ways
‎The Cairo leather roll
‎False alarm
‎The frequency of the composition at Deir El Barsha
‎Earlier research on the so-called Book of Two Ways
‎The first step
‎The structure of this study
‎This book’s story
‎Terminological remarks
‎Chapter 2. The Design of the Composition
‎Introduction
‎Remarks on iconography
‎The general layout
‎The direction of the drawings
‎The colors
‎The development of the iconography
‎Representations of living creatures
‎Remarks on texts
‎The disposition of the textual elements
‎The composition versions
‎The typology of the composition
‎Chapter 3. Design, Translation and Commentary
‎Introduction
‎The reference to the deceased in the early sources
‎Part 1
‎Design of Part 1
‎Translation of Part 1
‎Notes on the translation
‎Commentary on Part 1
‎The textual element 1
‎Commentary on the first part of text 1 (= CT 1029)
‎Commentary on the second part of text 1 (= CT 1030)
‎Commentary on textual elements 2–4 (= CT 1032–1033)
‎Commentary on the textual element 5 (= CT 1034)
‎Part 2
‎Design of Part 2
‎Translation of Part 2
‎Notes on the translation
‎Commentary on Part 2
‎Introduction
‎Segment A (Textual elements 1–7 = CT 1036–1037)
‎Segment B (Textual elements 8–13 = CT 1038–1040 + part of 1053)
‎Segment C (Textual elements 14–18 = CT 1041–1042 + part of 1053)
‎Segment D (Textual elements 19–22 = CT 1043–1044 + part of 1053)
‎Segment E (Textual elements 23–26 = CT 1045)
‎Segment F (Textual elements 27–28 = CT 1046 and 1052)
‎Segment G (Textual elements 29–34 = CT 1047, 1049–1051, and part of 1053)
‎Segment H (Textual element 35 = CT 1054)
‎Segment I (Textual elements 36–39 = CT 1055–1056)
‎Segment J (Textual elements 40–41 = CT 1057–1058)
‎Segment K (Textual elements 42–43 = CT 1059–1060)
‎Segment L (Textual elements 44–52 = CT 1061–1064)
‎Segment M (Textual element 53 = CT 1065)
‎Segment N (Textual elements 54–56 = CT 1066–1067)
‎Segment O (Textual element 57 = CT 1068)
‎Panoramic view on the “map” section
‎Part 3
‎Design of Part 3
‎Translation of Part 3
‎Notes on the translation
‎Commentary on Part 3
‎The first area (Textual elements 1–5)
‎The second area (Textual elements 6–10)
‎The third area (Textual elements 11–15)
‎Part 4
‎Design of Part 4
‎Translation of Part 4
‎Notes on the translation
‎Commentary on Part 4
‎Part 5
‎Design of Part 5
‎Translation of Part 5
‎Notes on the translation
‎Commentary on Part 5
‎Part 6
‎Design of Part 6
‎Translation of Part 6
‎Notes on the translation
‎Commentary on Part 6
‎Part 7
‎Design of Part 7
‎Translation of Part 7
‎Notes on the translation
‎Commentary on Part 7
‎Part 8
‎Design of Part 8
‎1). The design of the area of CT 1088:
‎2). The layout of the area of CT 1089–1094
‎3). The design of the area of CT 1095–1096
‎Translation of Part 8
‎Notes on the translation
‎Commentary on Part 8
‎The area of CT 1088
‎CT 1089–1096
‎Part 9
‎Design of Part 9
‎Translation of Part 9
‎Notes on the translation
‎Commentary on Part 9
‎Part 10
‎Design of Part 10
‎Translation of Part 10
‎Notes on the translation
‎Commentary on Part 10
‎Part 11
‎Design of Part 11
‎Translation of Part 11
‎Notes on the translation
‎Commentary on Part 11
‎Part 12
‎Design of Part 12
‎Translation of Part 12
‎Notes on the translation
‎Commentary on Part 12
‎Part 13
‎Design of Part 13
‎Translation of Part 13
‎Notes on the translation
‎Commentary on Part 13
‎Part 14
‎Design of Part 14
‎Translation of Part 14
‎Notes on the translation
‎Commentary on Part 14
‎Part 15
‎Design of Part 15
‎Translation of Part 15
‎Notes on the translation
‎Commentary on Part 15
‎Part 16
‎Design of Part 16
‎Translation of Part 16
‎Notes on the translation
‎Commentary on Part 16
‎Part 17
‎Design of Part 17
‎Translation of Part 17
‎Notes on the translation
‎Commentary on Part 17
‎Part 18
‎Design of Part 18
‎Translation of Part 18
‎Notes on the translation
‎Commentary on Part 18
‎Part 19
‎Design of Part 19
‎Translation of Part 19
‎Notes on the translation
‎Commentary on Part 19
‎Part 20
‎Design of Part 20
‎Translation of Part 20
‎Notes on the translation
‎Commentary on Part 20
‎Chapter 4. Concluding Remarks
‎The typology of the design
‎“Long” versus “short” versions?
‎Is there a best representative example?
‎The history of the composition
‎Origin and originality
‎The meaning of the composition
‎Difficulties and challenges
‎Towards an interpretation
‎The interlocutory patterns
‎The composition in context
‎The mythical episodes
‎The Osirian myth
‎Thoth and the moon
‎The Winding Waterway
‎The Field of Offerings is not the destination
‎Rosetau in the composition
‎B1Bo in focus
‎The composition and initiation
‎The complementarity of word and image
‎Through Hermopolitan lenses
‎Addendum 1
‎Addendum 2
‎Abbreviations of Periodicals and Book Series
‎Bibliography
‎Egyptian Index
‎General Index
‎Plates