دانلود کتاب Time, Media, and Visuality in Post-Revolutionary France

فهرست مطالب :

Cover page\nHalftitle page\nTitle page\nCopyright page\nContents\nIllustrations\nContributors\nAcknowledgments\nIntroduction\n Infinitely Small Things\n Angle of Vision\n “Post-Revolutionary” Time\n Media Revolutions\n Parts and Whole\n Notes\n1 Miniature Style, 1789–1815\n Small Fashions\n Miniature Aesthetics\n Precarious Sympathies\n Notes\n2 Rupture, Interrupted: Rococo Recursions and Political Futures in Percier and Fontaine’s Napoleon Fan\n Architects in Fashion\n A Rococo Past\n Printing Presents and Propaganda\n Fashion Forward?\n Notes\n3 A Draughtsman’s Contract: Court and Country in the Work of Louis Lafitte\n Notes\n4 Jean-Baptiste Huet’s Lions and the Look of the Captive in Post-Revolutionary France\n Notes\n5 First as Farce, then as Tragedy: Art, Vaudeville, and Modern Painting after the French Revolution\n Notes\n6 Monsieur Crouton, The Shop Sign Painter: The Unexceptional Artist in Early Nineteenth-Century Satirical Print\n Watteau’s Shop Sign and Hogarth’s Shop Sign Painter\n The Changing Status of the Satirical Shop Sign Painter\n The Return of Monsieur Crouton\n Crouton on Stage\n Notes\n7 Medium as Museum: Marie-Victoire Jaquotot’s Porcelain Painting and Post-Revolutionary Fantasies of Preservation\n Porcelain Copies and the Restoration Monarchy\n Marie-Victoire Jaquotot, Creator of Inalterable Painting\n The Intimate Museum\n “The Sacrifice of Common Sense”?\n Notes\n8 The Cultural Politics of Fashion and the French Revolution of 1830\n “Fashion is dead”\n Fashion in Print as Political Critique\n Satires of Women and Colonialism\n Notes\n9 A Storm is Coming: Georges Michel in the Wind\n Political Currents\n Transports\n Atmospheric Biographies\n Dead Men’s Souls\n Notes\nIndex\nPlates