دانلود کتاب Topologies of the Classical World in Children's Fiction: Palimpsests, Maps, and Fractals (Classical Presences)

فهرست مطالب :

Cover\nTopologies of the Classical World in Children’s Fiction: Palimpsests, Maps, and Fractals\nCopyright\nAcknowledgments\nCopyright Acknowledgments\nContents\nList of Illustrations\n1: Introduction\n 1.1 The Models\n 1.2 Sample Exception #1: Mirroring in Echo Echo\n 1.3 Sample Exception #2: Insides and Outsides in Bull\n 1.4 Sample Exception #3: Curves vs. Straight Lines in The Mark of the Horse Lord\n 1.5 Conclusion\n2: HISTORY IS A PALIMPSEST 1: The Layers of Ancient Rome in Puck of Pook’s Hill and Its Successors\n 2.1 Foundations: Puck of Pook’s Hill\n 2.2 Layers for Adults: Three Fantasies\n 2.3 Layers for Children: Three Fantasies\n 2.4 Beyond Fantasy: Philip Turner’s Yorkshire Palimpsest\n 2.5 Conclusion\n3: HISTORY IS A PALIMPSEST 2: Time Zones, Scars, and Family in (Mostly) Realistic Works\n 3.1 Magical Rules and Classical Tradition in The Enchanted Castle\n 3.2 Liminality and Mixed Metaphors in Three Novels by Caroline Dale Snedeker\n 3.3 Trauma, Family, and History in The Bronze Bow\n 3.4 Wounding in The Eagle of the Ninth\n 3.5 Conclusion\n4: HISTORY IS A MAP 1: Navigating the Underworld\n 4.1 A Map Text Without a Map: The Story of the Amulet\n 4.2 Underworlds and (Platonic) Caves in The Silver Chair\n 4.3 Underworlds and Returns in Mystery at Mycenae and The Roman Mysteries\n 4.4 Symbolic Underworlds and Shifting Scripts in the Roman Pony Trilogy\n 4.5 Mapping the Orpheus Myth in the Jack Perdu Books and the Underworlds Series\n 4.6 Conclusion\n5: HISTORY IS A MAP 2: Carnivals, Grotesquerie, and the Antic(que) Map Text\n 5.1 Gryllus the Pig and the Playful Attack on Borders\n 5.2 Spartapuss the Cat and the Repeating and Consuming of Time\n 5.3 Julius Zebra and Cognitive Connection through Words, Pictures, and Warthogs\n 5.4 The Dogs of Pompeii and Popular Culture’s Alliance with the Past\n 5.5 Percy Jackson and the Apotheosis of the Comic Didactic\n 5.6 Conclusion\n6: HISTORY IS FRACTAL: Patterns of Conflict in Contemporary Young Adult Fantasies\n 6.1 Despairing Didacticism: Learning and Misery in Red Shift\n 6.2 Separate Spheres and If Worlds: Culture Clash in the Fireball and Warriors Trilogies\n 6.3 Panem et Circenses: Countries, Cats, and Conflict in the Hunger Games Trilogy\n 6.4 Monsters and Masks: Trust and Treachery in the Ember in the Ashes Series\n 6.5 Secret Keepers: Manipulating Misprision in The Queen’s Thief Sequence\n 6.6 Conclusion\n7: Conclusion\nWorks Cited\nIndex