دانلود کتاب Towards a Philosophy of Digital Media

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Contents\nNotes on Contributors\nList of Figures\nList of Tables\nIntroduction\n References\nPart I: Digital Media as Recording Devices\n Between Formats and Data: When Communication Becomes Recording\n 1 Introduction\n 2 Communication and Recording\n 2.1 Content, Inscription, Document\n 2.2 Recording as Communication\n 3 From Bits to Formats\n 3.1 The Digital as a Calculation that Does Not Make Sense\n 3.2 The Digital: Anonymous and Wanderer\n 3.3 Formats\n 4 From Documents to Data\n 4.1 Signs Interpreted, Manipulated Technical Units\n 4.2 Data as Coincidence of Manipulation and Interpretation\n 5 Conclusion: Conditions for Intelligibility and Freedom to Interpret\n References\n From Capital to Documediality\n 1 Introduction\n 2 Documents, Not Commodities\n 3 Mobilization, Not Labor\n 4 Recognition, Not Sustenance\n 5 Self-Affirmation, Not Alienation\n 6 Atomization, Not Classification\n 7 Conclusion\n References\n Recording the Web\n 1 Introduction\n 2 Is the Web an Archive?\n 3 Tracking as a Way of Recording the Web\n 4 Web Archives as a Way of Recording the Web\n 5 Conclusion: Towards a Historical Study of Tracking\n References\n You Press the Button, We Do the Rest. Personal Archiving in Capture Culture\n 1 Introduction\n 2 From Recording to Capturing\n 3 Mnemotechniques and Mnemotechnologies\n 4 From the Mass of Comparative Lumber to the Techno-Value of Data Excess\n 5 Ubiquitous Capture and Involuntary Sedimentation\n 6 Modes of Counteracting the Involuntary Archive\n 7 Conclusion: Towards Post-Digital Mnemotechniques\n References\nPart II: Consequences of Digital Recording\n Ecyclopedias, Hive Minds and Global Brains. A Cognitive Evolutionary Account of Wikipedia\n 1 A Sinner’s Confession\n 2 Encyclopedias and Hive Minds\n 3 Wikipedia in Evolutionary and Historical Perspective\n 4 Conclusion\n References\n Trust, Extended Memories and Social Media\n 1 Introduction\n 2 A Memory-Based Approach\n 3 To Which Aspects of Trust is Memory Relevant?\n 3.1 Trusting Attitudes and the Evidential Output of Memory\n 3.2 Responding to Trust, and the Motivational Output of Memory\n 3.3 Expectations About Memory\n 4 What are the Memory Parameters Significant for Trust?\n 5 An Example: Social Media and Interpersonal Trust Relationships\n 6 Conclusion: Pay-Off and Limits of this Approach\n References\n Digital Eternities\n 1 Introduction\n 2 Analyzing Writing Practices that Change the Profiles of the Living into Profiles of the Dead\n 3 Perpetuating the Profile Pages of the Deceased\n 3.1 The Proportion of Perpetuated Pages\n Profiles Publicly Active Post Mortem\n Profiles Without Public Postings Post Mortem\n Profiles Deleted Post Mortem\n Profiles Transformed into Memorialized Pages\n 3.2 Ways of Perpetuating the Page of a Deceased Person\n Transforming a Living Person’s Page into the Page of the Deceased Person: Posting and Remembrance\n Deletion and Non-Deletion as Enunciative Acts\n 4 Enunciators of the Death and the Places of the Enunciation\n 4.1 The Announcement of Death via the Techno-­Editorial Dispositif\n 4.2 The Death Announced on the Deceased’s Page by Family or Friends: the Operator who Affixes the Death Stigma, the Operator who Manages the Page, and the Bereaved Communities\n 4.3 The Death Announced on the Deceased’s Page by the Autonym Ligator\n 5 The Forms of the Death Announcement and Death Stigmas on the Deceased’s Page\n 5.1 The Explicit Death Announcement\n The Death Announcement Via the Funeral Announcement\n The Death Announcement Via a Stereotyped Tribute: the Accepted Formulas\n The Death Announcement Via a Remembrance Address\n Delegation of the Death Announcement to a Medium\n 5.2 The Implicit Death Announcement\n The Death Announcement Via a Comment on a Posting Produced by the Deceased\n Announcement Via a Change of the Deceased’s Profile Photo\n 6 Conclusion\n References\n Safeguarding Without a Record? The Digital Inventories of Intangible Cultural Heritage\n 1 Introduction\n 2 The Documentary Paradox of Intangible Heritage\n 2.1 The Inventory as Safeguarding System\n 2.2 The Peculiarity of Intangible Cultural Heritage\n 3 The Impact of Digital Media\n 3.1 Digital Media as Living Environment\n 3.2 Collaborative Digital Inventories of Intangible Heritage\n 4 Between Document and Trace, the Inventory as a Weak Document\n References\nPart III: Digital Media Beyond Recording\n The Unbearable Lightness (and Heaviness) of Being Digital\n 1 Introduction\n 2 Defining the Digital\n 3 Postphenomenological Framework\n 4 Digital-for-Granted\n 4.1 Digital Lightness\n 4.2 Digital Heaviness\n 5 Conclusion: Digital 5.0\n References\n From Cellphones to Machine Learning. A Shift in the Role of the User in Algorithmic Writing\n 1 Introduction\n 2 A Short Genealogy of Modern Media Technologies\n 3 A Short Introduction to Postphenomenology\n 4 Writing Relations across the Genealogical Steps\n 4.1 Printing Press\n 4.2 New Media\n 4.3 New New Media\n 4.4 Algorithmic Writing\n 5 Writing Relations in the Digital Age\n 6 Conclusion\n References\n A Philosophy of “Doing” in the Digital\n 1 Introduction\n 2 “Doing” in the Digital\n 2.1 On “Doing as Acting”\n 2.2 On “Doing as Making”\n 2.3 A Tale of Two Doings\n 3 Philosophical Soup\n 3.1 Playing with Digital Soups (“Doing as Acting”)\n 3.2 Designing Digital Soups (“Doing as Making”)\n 4 Conclusion\n References\n From Registration to Emagination\n 1 Three Paradigms Through a Bizarre Pair of Glasses\n 2 We Have Never Been Engineers\n 3 Automatic Aesthetics\n 4 Conclusion\n References\nIndex