دانلود کتاب Transforming Christian Thought in the Visual Arts: Theology, Aesthetics, and Practice

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Cover Half Title Series Information Title Page Copyright Page Table of Contents List of Illustations List of Contributors Preface Epigraph Introduction: Transforming Christian Thought in the Visual Arts Theology Aesthetics Practice Part 1: Re-Working the Bible Beyond Symbolic Expression Part 2: Re-Shaping Institutional and Historical Re-Shaping-Cross-Currents Part 3: Re-Discovering Church Space in Liturgy, Performance, and Installation Notes Bibliography Part 1 Re-Working the Bible Beyond Symbolic Expression Chapter 1 ‘the Hearing Ear and the Seeing Eye’: Transformative Listening to the Biblical Image The Bible Is a Site of Sound: Varieties of Acoustic Types Theology, Sound, and Vision: Indications of An Integrated Perspective Listening to Visual Art With Biblical Subject Matter: Summoning Sonic Allusion Sounds Like… : Sonic Similes in Scripture ‘The Voice of the Lord’: Audible Manifestations of God Silence: The Significance of the Cessation of Sound See for Yourself: Inner Visualisation and Audition Sonifying the Bible: A Sound-Art Practice Perspective Notes Bibliography Chapter 2 Photography As the Bible’s New Illumination Victorian Contexts and Francis Frith’s Holy Bible, 1861 Present Day Contexts and Visionaire’s ‘bible’, 1999 Praxis and the Author’s Scriptorium, 2018 Notes Bibliography Chapter 3 The Visual Commentary On Scripture: Principles and Possibilities What Is the Vcs? Exhibition As Commentary The Vcs As Conversation Theological Warrants Concluding Remark Notes Bibliography Chapter 4 The Virgin and the Visual Artist As Theologian: Examining Two Marian Images By David Jones Guenever Aphrodite in Aulis Tradition and Innovation: Distinctive and Typical Features in the Wider Marianism of David Jones Mary in Incarnational Theology: Bethlehem and Calvary Mary’s Typical Representative Function Distinctive Features in Jones’ Marianism Marian Associations of Guenever in Jones’ Poetry Seeing Mary in the Jonesian Image Conclusion: David Jones’ Indirect Approach to Mary Notes Bibliography Praxis I lavant WAIT LAVANT After Thought References Part 2 Re-Shaping Institutional and Historical Re-Shaping-Cross-Currents 5 ‘a Sacred Art of the State’: Public Commissions for French Churches, Abbeys, and Cathedrals The Ministry of Culture and Communication Saint-Cyr-et-Sainte-Julitte, Nevers, Nièvre (1977–2011) Saint-Prim, Isère (1999–2004) Contemporary Non-Religious Thought and the Christian Tradition Notes Bibliography 6 The Chapel at Royal Holloway: Visual Theology and Women’s Education External Carvings Sculpture in the Porch and Lintel Bas-reliefs in the Nave Ceiling Decoration Notes Bibliography 7 The ‘sacred Pastoral’ As the Manifestation of Spirituality in the Work of Bishop William Giles Biographical Background Samuel Palmer and the Ancients The Sacred Pastoral Aesthetic The Sacred Pastoral in Giles’ Photographs Conclusion Notes Bibliography Praxis II HS References Part 3 Re-Discovering Church Space in Liturgy, Performance, and Installation 8 Bin Bag Visions: Theological Horizons in Maciej Urbanek’s Hs The Spirit Hovers Over the Waters The Light Shines in the Darkness Ambiguity Notes Bibliography 9 Public Liturgical Theology Through Community and Public Art Introducing Beyond Beyond As Public Theology Case Studies 1. ‘jesus Meets the Women of Jerusalem’, Gaza and Vanity Fair 2. Jesus and Final Crisis: The Ultimate Crossover Event 3. ‘god in the Hut’ and the New Sacrament of ‘breaking Light’ Beyond As Liturgical Public Theology Conclusion Notes Bibliography 10 Stations of the Cross and Stations of the Resurrection: Interdisciplinary Art Practice and Its Implications for Visual Theology Interdisciplinarity As Context Integrative Strategies in Stations of the Cross and Stations of the Resurrection 1. Juxtaposition 2. Simultaneity 3. Parataxis Held Difference and Aesthetic Register Postscript Notes Bibliography Envoi Notes Index Biblical Reference Index