دانلود کتاب Transnational Belonging and Female Agency in the Arts

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Cover\nHalftitle page\nTitle page\nCopyright page\nContents\nPlates\nFigures\nAcknowledgements\n Basia\n Catherine\nIntroduction\n Note\n References\n1 Frayed and Fraying: Textile Actions and the Edges of Belonging\n In the Fray\n The Spatial Logic of the Fray\n Fraying the Self\n Mending Agency\n Conclusion\n Note\n References\n2 Species of Space: Marisol, Marta Minujín and Nicola L on Party-Going, Domestic Mayhem and Nomadism\n Marisol: On Party-Going\n Nicola L: Nomadism\n Minujín: Domestic Mayhem\n Conclusion\n Notes\n References\n3 ‘with my portapak on my back’: Identity and Belonging in Shigeko Kubota’s Broken Diary\n Transnational Videoscapes: Kubota’s Portapak Groove\n Red, White and Video: Kubota’s Feminist Transculturalism in the US of A\n Notes\n References\n4 Patty Chang: Body, Performance and Transnational Border Crossings\n Minor and the Autonomous Region\n Marriage, Namesake, Citizenship and the Commodity of Love\n Notes\n References\n5 Borderless and Undocumented: Day by Day in Southeast Asia\n Un-Identities: Metonyms for a Transnational Community\n The Invisibility Cloak: Metonyms for Working Women\n Conclusion\n Notes\n References\n6 Suspended: Bahar Behbahani’s Displacement and Longing in the Persian Garden\n Remapping the Archive\n Spatial Memories\n Suspended\n Saffron Tea\n Behind the Mirrors\n Notes\n References\n7 Through Walls and Windows: Irene Buarque’s Work in the 1970s\n From São Paulo to Lisbon\n Confronting Walls\n Opening Windows\n Notes\n References\n8 Disrupting Subaltern Geographies: The Artistic Intersections of Belkis Ayón\n Abakuá\n Secrecy as Agency\n Womanhood Asserted, Secrets Revealed\n Notes\n References\n9 Keren Anavy’s Garden of Living Images: Transnational Landscapes as Spaces of Ecological Order\n Artificial Environments\n Garden of Living Images\n Home and Shelter\n Utopia\n Water and Mourning\n Notes\n References\n10 Collective Agency: Creative Communities in Australian Feminist Art\n Introduction\n Local Global: Reconsidering Australian Art and Feminism\n Feminism and Art in Australia: Creative Communities and Collective Agency\n Conclusion\n Notes\n References\n11 ‘Woman Writing’ as a Curatorial Method: Narratives of Belonging in the Art Practices of Chantal Peñalosa and Bridget Smith\n Transnational Dialogues and Curatorial Practice\n Chantal Peñalosa: The Border Is Also an Atmosphere\n Bridget Smith: Blueprint for a Sea\n Conclusion\n Notes\n References\n12 A Smuggler, a Butcher and a Fairy: Doing Things with One’s Body\n The Smuggler: Belonging as a Flash\n The Butcher: Gendered Vulnerability\n The Fairy: Bon Voyage!\n Notes\n References\n13 Nieme Szaty Królowej (Queen’s Silent Robes): A Collective Walk Reclaiming Female Bodily Agency through Transnational Solidarity\n Queen’s Silent Robes and Anti-Gender Rhetoric in Poland\n Transnational Vulnerability towards a ‘We’\n Persistent Walking\n Disruptive Collective Subject\n Catholic Immaculate Femininity\n Staining and Emancipatory Narratives\n Transnational Budding\n Notes\n References\nContributors\nIndex\nPlates