دانلود کتاب True Lies Worldwide: Fictionality in Global Contexts

فهرست مطالب :

Preface\nHere, There – and Everywhere? Eastern examples\n Chinese Theories and Concepts of Fiction and the Issue of Transcultural Theories and Concepts of Fiction\n Literature as a Vehicle for the Dao: Changing Perspectives of Fiction and Truth in Chinese Literature\n Murasaki Shikibu and The Tale of Genji: Fate and Fiction\nFictional Spaces: Image, Language & Identity\n The Fiction of the Image\n Linguistic and Psychological Mechanisms Behind Literary Fiction\n Photons of the Human Mind: The Fiction of Personal Identity\nLive Fiction: Play & Performances\n Interaction Between the Reader, the Critic and the Author: The Qing Dramatist Hong Sheng’s Historical Play Changshengdian and Wu Yiyi’s Commentary\n Performing Life and Live Theatre: Fiction in Popular Performances\nFiction Past and Present: Historical Perspectives\n Diagnosing Fiction: From Plato to Borges\n Classical Persian Literature: Fiction, Didactics or Intuitive Truth?\n Historicity and Fictionality in Medieval Narrative\n How the West was Won by Fiction: The Appearance of Fictional Narrative and Leisurely Reading in Western Literature (11th and 12th century)\nTelling Tales: Narratology & Fictionality\n Toward a Transcultural Poetics of Fiction: The Fusion of Narrative Visions in Chinese and Western Fiction Studies\n General Beliefs from Fiction\n Historical Fiction: Experiencing the Past, Reflecting History\nThe Frontiers of Fiction: Recent Developments\n Unsettling Fictions: Generic Instability and Colonial Time\n Whose Magic? Whose Realism? Reflections on Magical Realism in Ben Okri’s The Famished Road\n Confessions of the Hydra: Variations on the Concept of Fiction in Latin America\nCoda: Fiction, Translation & Interaction\n Fiction in Global Contexts: Translation, the Universal Language of Literature\n Afterword: Fiction as a Transcultural Entity\nList of Contributors\nIndex of Names