دانلود کتاب Understanding Flusser, Understanding Modernism

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Half Title\nSeries Page\nTitle Page\nCopyright Page\nSeries Preface\nContents\nFigures\nAcknowledgements\nIntroduction\nPart I: Processing Flusser\nChapter 1: “Does AI Have a Future?”\nChapter 2: Design/Shape\nChapter 3: Vilém Flusser in Open Circuits: The Dialogic Capacity of Video Images\nChapter 4: Flusser and Ars Electronica: Between and Beyond Cybernetics\nChapter 5: Flusser in the Light of Radiation\nChapter 6: Games and Play: On Being Human in the Universe of Technical Images\nChapter 7: Flusser’s Philosophical Backgrounds\nChapter 8: Vilém Flusser’s Quasi-Phenomenology\nChapter 9: Migrants, Flâneurs, Critics: Flusserian Irony and the Genealogy of Modern Cynicism\nChapter 10: Vampyroteuthis Infernalis as Media Theory\nChapter 11: Posthistory Today: Historical Time and Virality after Flusser\nPart II: Flusser’s Expanded Modernism\nChapter 12: Demonologies\nChapter 13: An Intersubjective Style\nChapter 14: “Naked Little Spasms of the Self”: In Search of an Authentic Gesture in Posthistorical Times\nChapter 15: The ‘Pataphysical Span: Alfred Jarry and Vilém Flusser\nChapter 16: Flusser’s New Weird\nChapter 17: A Philosophy of Refraction: Vilém Flusser’s Speculative Biology and the Study of Paramedia\nChapter 18: Everything Quantizes1\nChapter 19: Religious Telematics and the Archives of Memory\nChapter 20: The Challenge of Vilém Flusser: Latinidad and Its Others\nChapter 21: On Synthesis and Synthetic Reality: Post/Modernism in Flusser’s Thinking\nChapter 22: Fascism, Iconoclasm, and the Global Village\nChapter 23: The Future of Writing\nChapter 24: Vilém Flusser’s Linguistic Briefcase\nChapter 25: The Depressed Person and the Vampire Squid: Sonic Gestures in the Work of Vilém Flusser and David Foster Wallace\nChapter 26: Cannibalistic Animals: Posthuman Natures in Flusser and Benjamin\nChapter 27: Flusser’s New World\nPart III: Flusser’s Toolkit\nChapter 28: Anti-Apparatus\nChapter 29: Apparatus\nChapter 30: Automation\nChapter 31: Cybernetics\nChapter 32: Dasein’s Design\nChapter 33: Ecology\nChapter 34: Ethics\nChapter 35: Etymology: Methodology as Adventure in the Bochum Lectures\nChapter 36: Surface and Simulation: Vilém Flusser and Jean Baudrillard\nChapter 37: Technical Image: Opaque Apparatus of Programmed Significance\nChapter 38: Writing\nChapter 39: Zetetic Maneuvers: Stalking the Continuum\nEpilogue: Between Languages and Without Discipline: A Twentieth-Century Intellect Drafted for the Twenty-First Century\nContributors\nIndex