دانلود کتاب Understanding Rancière, Understanding Modernism

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Cover\nHalf Title\nSeries\nTitle\nCopyright\nContents\nNotes on Contributors\nSeries Preface\nList of Abbreviations\nIntroduction: Toward a New Aesthetic Theory\nPart One Conceptualizing Rancière\n 1 The Hatred of Democracy and “The Democratic Torrent”: Rancière’s Micropolitics\n 2 Rancière’s Nineteenth Century: Equality and Recognition in Nights of Labor\n 3 The Ignorant Schoolmaster: Intellectual Emancipation in Circular Form\n Translation versus explication\n Bibliocentrism and the totality of the book\n The book as bridge\n Veracity’s orbit and the immateriality of intelligence\n Lasting lessons\n 4 Literature as Rancièrian Film Fable\n 5 The Emancipated Spectator and Modernism\n 6 Mute Speech: The Silence of Literature in Rancière’s Aesthetic Paradigm\n Literature in a fraught critical terrain\n Literature in Rancière’s philosophical trajectory\n Literature between historicity and the event\n 7 Le fil perdu: The Music of the Indistinct\nPart Two Rancière and Aesthetics\n 8 A Method of Equality: Rancière, Jokes, and Their Relation to They Drive by Night\n A zany story\n The diner\n Ed’s office\n The last laugh\n Credits where credit is due\n 9 Feminist Art: Disrupting and Consolidating the Police Order\n 10 Rancière and Proust: Two Temptations\n “I realize that my practice of philosophy makes the reading of my work difficult”\n “Addressing an author or a concept first means to me setting the stage for a disagreement, testing an operator of difference.\n “Literature is ... caught between two nullifications” (MS 146)\n “Literature emancipates when it doesn’t tell us how to use art or literature—how we have to understand, how we have to see, h\n Disagreement (or, perhaps, misunderstanding)\n 11 The Conception of the Will in Rancière’s Aesthetic Regime of the Arts: Pathos and Reverie in Stendhal, Ibsen, and Freud\n Suspension of the will to act: The passivity of the will in Stendhal’s The Red and the Black\n Obliteration of the will to know: The sickness of the “will” in Ibsen’s Rosmersholm\n The position of the will in the aesthetic regime of the arts\n 12 Dreaming Bourdieu Away: Rancière and the Reinvented Habitus\n 13 Rethinking the Aesthetics/Politics Nexus in Latin America\n Rancière in Latin America\n Dissensual communities, or what is a plaza?\nPart Three Glossary of Key Terms\n Distribution of the Sensible\n Fable\n Intellectual Equality\n Mute Speech\n Regimes of Art\nPart Four Interview with Jacques Rancière\n Understanding Modernism, Reconfiguring Disciplinarity: Interview with Jacques Rancière on May 11, 2015\nIndex