دانلود کتاب Unsettling Canadian Art History

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Cover\nUnsettling Canadian Art History\nTitle\nCopyright\nContents\nPreface\nAcknowledgments\nIntroduction: Unsettling Canadian Art History\nPart One Unsettling Settler Methodologies, Re-centring Decolonial Knowledge\n 1 White Settler Tautologies and Pioneer Lies in Mi’kma’ki\n 2 Notes to a Nation: Teachings on Land through the Art of Norval Morrisseau\n 3 Embodying Decolonial Methodology: Building and Sustaining Critical Relationality in the Cultural Sector\n 4 Silence as Resistance: When Silence Is the Only Weapon You Have Left\nPart Two Excavating and Creating Decolonial Archives\n 5 Truth Is No Stranger to (Para)fiction: Settlers, Arrivants, and Place in Iris Häussler’s He Named Her Amber, Camille Turner’s BlackGrange, and Robert Houle’s Garrison Creek Project\n 6 “Ran away from her Master … a Negroe Girl named Thursday”: Examining Evidence of Punishment, Isolation, Trauma, and Illness in Nova Scotia and Quebec Fugitive Slave Advertisements\n 7 “Miner with a Heart of Gold”: Native North America, Vol. 1 and the Colonial Excavation of Authenticity\n 8 Excavation: Memory Work\nPart Three Reclaiming Sexualities, Tracing Complicities\n 9 Bear Grease, Whips, Bodies, and Beads: Community Building and Refusing Trauma Porn in Dayna Danger’s Embodied 2Spirit Arts Praxis\n 10 Coming Out a l’Oriental: Diasporic Art and Colonial Wounds\n 11 Indian Americans Engulfing “American Indian”: Marking the “Dot Indians’” Indianness through Genocide and Casteism in Diaspora\nFigures\nBibliography\nContributors\nIndex