دانلود کتاب Visual Research Methods in the Social Sciences: Awakening Visions

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Cover
Endorsement
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
List Figures, Diagrams and Table
Contributors
Preface to the Second Edition
Acknowledgements
Introduction
Structure of the Book
Part I
Part II – Practitioner Essays
Panizza Allmark – Edith Cowan University, Western Australia: Framing a Photographie Féminine: Photography of the City
Sarah Atkinson – University of Brighton: Mixing Mediums and Methods: Practice-Led Research Into Interactive Screen-Based Production and Reception
Roger Brown: Photography as Process, Documentary Photographing as Discourse
Roger Canals: Research as an Eclectic Assemblage: Notes On a Visual Ethnography of the Cult of María Lionza (Venezuela, Barcelona, and the Internet)
Notes
References
Part I Visual Research and Social Realities
1 Visualising Social Life
An Evolving Visual Culture
Urban Visions
The Cultural Imaginary
Is Seeing Believing?
Images as Evidence: Seen and Unseen
Photographs as ‘Specified Generalisations’
Poetics of the Visual
Indeterminacy: Pareidolia and Aberrant Decoding
Intertextuality
The Photograph as Proof of Existence – the Enigma of the Image
Scopic Regimes: Surveillance, Spectacles and Simulations
Technologies: Tools of Oppression Or Liberation?
Benefits of Visual Approaches
Notes
References
2 The Research Process and Visual Methods
Ontology
Epistemology
Methodologies – Getting Started
Phenomenology
Ethnography
Case Studies
Representation
Narrative Research
Video: Intersubjective Strategies
Awakening Vision: Developing Visual Research in Sociology
Ethics and Visual Research
Methodologies in Action
1. Autophotography and Photo-Elicitation
Mapuche Transition From Rural to Urban Context in Chile – Emma Louise Owen
2. Photo-Documentation and Photo-Essays
Landscape Painters: Urban Art and Graffiti – Dave Surridge
Notes
References
3 Mapping Society
Sense of Place
Maps in Visual Research
Mapping Inner-City Sense of Place
Into the Divide: Community Identities and the Visualisation of Place
Locating the Site
Exploring the City
Signs of Diversity – Spectres of Multiculturalism
Pandemic Space – The ‘Inertia of the Real’
Video Ethnography: Walking With a Camera
Contested Spaces: 1. Africville
Contested Spaces: 2. Halfeti – Only the Fish Shall Visit
Contested Spaces: 3. Wadjemup/Rottnest Island
Traumascapes: Towers On Fire
Country – Far From Nature
Notes
References
4 Visualising Identity
Nationality, Race and Ethnicity
Visual Representations of Age Identity
Collective Symbols of Identity
El Charro – Mexican Iconography
Uneasy Symbols – Signs of Dissent
Seeing Things: Entangled in Material Culture
Visual Identity and Product Attributes
Body Projects
Notes
References
5 Visual Analysis
Modalities and Sites
The Intersubjective and Inter-Objective Aspects of Images
Image, Time and Memory
Understanding Forms of Visual Analysis
Semiotic Analysis
Paradigms and Syntagms
Denotation and Connotation
Operation Margarine
Forms of Discourse Analysis
Using Archive Images
Using Multiple Levels of Visual Analysis
Content Analysis and Electronic Digital Aids
Notes
References
Part II Research Practices in Focus
Introduction to Part II
6 Framing a Photographie Féminine Photography of the City
References
7 Mixing Mediums and Methods Practice-Led Research Into Interactive Screen-Based Production and Reception
Introduction
Crossed Lines: Influences and Inspiration
Crossed Lines: The Installation
Process
Scriptwriting
Production
Post-Production and Interactive Authoring
Audience Testing
Conclusion
References
8 Photography as Process, Documentary Photographing as Discourse
Introduction: Photographing
Photography Or Photographing?
Photographing as a Hermeneutic Discourse
Photographing as Practice
Some Examples
Appendix: Case Studies
HASDiP: The Hulton Abbey Skeleton Digitisation Project
Place, Space and Identity: Waterside South, Hanley, Stoke-On-Trent
Note
References
9 Research as an Eclectic Assemblage Notes On a Visual Ethnography of the Cult of María Lionza (Venezuela, Barcelona, and the Internet)
María Lionza and Her Cult
The Image as Object
Visual Research Methods and the Act of Looking
The Image as Discourse
Image in the Social Sciences
Notes
References
Conclusion
Appendix
Sites Visited
Glossary
Bibliography
Index