دانلود کتاب W. G. Sebald: History - Memory - Trauma

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Frontmatter\nTable of Contents\nForeword: The Sebald Phenomenon\nIntroduction: Two Languages, Two Audiences: The Tandem Literary OEuvres of W.G. Sebald\nIntroduction and Transcript of an interview given by Max Sebald\nKafka, Nabokov … Sebald: Intertextuality and Narratives of Redemption in Vertigo and The Emigrants\nSebald’s Pathographies\nSebald’s Elective and Other Affinities\nIn the Weavers’ Web: An Intertextual Approachto W.G. Sebald and Laurence Sterne\nSebald’s Kafka\nSebald’s Amateurs\n“A Time He Could Not Bear to Say Any More About”: Presence and Absence of the Narrator in W.G. Sebald’s The Emigrants\nThe Task of the Narrator: Moments of Symbolic Investiture in W.G. Sebald’s Austerlitz\n“Egg boxes stacked in a crate”: Narrative Status and its Implications\nSpeak no Evil, Write no Evil: In Search of a Usable Language of Destruction\nOn Exposure: Photography and Uncanny Memory in W.G. Sebald’s Die Ausgewanderten and Austerlitz\nRealism, Photography,and Degrees of Uncertainty\nThe Dystopian Entwinement of Histories and Identities in W.G. Sebald’s Austerlitz\nTranscripts: An Ethics of Representation in The Emigrants\nLandscape and Memory: Sebald’s Redemption of History\nThe Holocaust as the Still Point of the World in W.G. Sebald’s The Emigrants\nW.G. Sebald’s Twentieth-Century Histories\nGoing Astray: Melancholy, Natural History, and the Image of Exile in W.G. Sebald’s Austerlitz\nNo Foothold. Institutions and Buildings in W.G. Sebald’s Prose\nThe Experience of Destruction: W.G. Sebald, the Airwar, and Literature\nW.G. Sebald and Structures of Testimony and Trauma: There are Spots of Mist That No Eye can Dispel\nBackmatter