دانلود کتاب W.G. Sebald's Artistic Legacies: Memory, Word and Image

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Table of Contents\nList of Figures\nIntroduction\nI Sebald’s Writings, History and Voids\n1 W.G. Sebald’s Cartographic Images: Mapping the Historical Void\n2 Imaging the Uncanny Memory: War and the Isenheim Altarpiece in 1917–19\n3 The Worlds of Eternal Present: The Quest for the Hidden Patterns of Baroque Thought in Sebald’s literature\n4 Seeing the Void? On Visual Representations of “Arisierungen,” Forced Absences, and Forms of Taking Inventory in the Installation Invent arisiert by Arno Gisinger\nII Memory and Art in and Through Sebald\n5 Monument and Memory\n6 In the Labyrinth: Sebald’s (Postwar) French Connections\n7 Leaning Images: Reading Nasta Rojc and Ana Mušćet\n8 Working with Images: Documentary Photography in the Oeuvres of Mike Kelley and W.G. Sebald\n9 Ghostwriting and Artists’ Texts: Raqs Media Collective’s We Are Here, But Is It Now?\nIII Writing with Images: Academic Practices and / as Ethical Commitment\n10 Models for Word and Image: Georges Rodenbach to Christian Bök\n11 On Writing: Propositions for Art History as Literary Practice\n12 Memory, Word, and Image in Sebald and Joyce: Towards a Transhistorical Ethics Communicated Through Minor Interventions in the Form of the Printed Book\n13 Sebald’s Toute la mémoire du monde\n14 As a Dog Finds a Spear\nList of Contributors\nIndex