دانلود کتاب We Are What We Mourn: The Contemporary English-Canadian Elegy

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Contents\nAcknowledgments\nIntroduction: The Work of Mourning as Reconnection: The Contemporary English-Canadian Elegy\n1 The Burned House: Parental Elegies and the Reconstruction of Family After Death\n Margaret Atwood: Morning in the Burned House\n Dennis Cooley: Fielding\n Patrick Lane: Elegies from Mortal Remains\n Libby Scheier: Kaddish for My Father\n Daphne Marlatt: \"How Hug a Stone\"\n Anne Carson: \"Appendix to Ordinary Time\"\n Patrick Lane and Dennis Cooley: Elegies from Mortal Remains and Irene\n Roo Borson: \"Continuous Elegy\"\n2 Method for Calling Up Ghosts: Elegies for Places and the Creation of Local, Regional, and National Identities\n Dennis Lee: Civil Elegies\n Robert Kroetsch\'s Long Poem Elegies\n Milton Acorn: Elegies from The Island Means Minago\n Aritha van Herk: \"Calgary: this growing graveyard\"\n George Bowering: Kerrisdale Elegies\n3 What We Save Saves Us: Elegies for Cultural Losses and Displacements\n Anne Michaels: \"What the Light Teaches\"\n Miriam Waddington\'s Elegies\n Marlene Nourbese Philip: \"She Tries Her Tongue; Her Silence Softly Breaks\"\n Dionne Brand: \"No Language is Neutral\"\n Fred Wah: \"This Dendrite Map: Father\n Mother Haibun\"\n Pier Giorgio Di Cicco: \"The Man Called Beppino\"\n Jeannette Armstrong\'s Elegies from Breath Tracks\nConclusion: We Are What We Mourn\nCoda: If We Are What We Mourn, What Will We Become?\nNotes\nBibliography\nIndex\n A\n B\n C\n D\n E\n F\n G\n H\n I\n J\n K\n L\n M\n N\n O\n P\n Q\n R\n S\n T\n U\n V\n W\n Y\n Z