دانلود کتاب Western Theatre in Global Contexts: Directing and Teaching Culturally Inclusive Drama Around the World

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Cover
Half Title
Title Page
Copyright Page
Table of Contents
List of Figures
List of Contributors
Acknowledgments
Part 1 Global Flows: Western Theatre in International Contexts
1. An Introduction to Western Theatre in Global Contexts
2. Similarities and Differences in Teaching Western Based Theatre in China and the Arab World
Part 2 International Stages: Western Theatre in Performance
3. Lysistrata in Cairo: Maintaining Values While Extending the Limit
4. Laxmi Bai got Drunk at Malini’s Dinner and Venturewell became an Underwear Baron: JUDE Productions of Western Classics in Kolkata, India
5. West Side Stories: The Racial Politics and Aesthetic Considerations of Staging Hell’s Kitchen Globally
6. Across a Cloudy Room: The Cultural Appropriation of Western Musicals by Chinese Students at the Expense of Their Own National Identity; A Case Study
7. How to Swim in the Desert: On Developing a Theatre Department in Oman
Part 3 Pedagogy Abroad: Western Theatre in Education
8. The Viewpoints as Transcultural Pedagogy
9. The ISTA Performing Arts Academies in Shanghai and Hong Kong
10. Reaching the Audience
11. Collaborative Creations: Teaching Devised Performance in Santiago, Chile
Part 4 Intercultural Exchanges: Theory and Practice
12. The Ethical Demands of Experiencing Imaginative Literature in Teaching Sophocles’ Antigone to Students of Applied English
13. Post/Colonial Theatre in Madagascar: Hybridity and Controversy in Jean-Luc Raharimanana’s Le Prophète et le Président
14. Towards “Relevance” and Collective Action in a South African School’s Touring production of Shakespeare’s Antony and Cleopatra: Discovering the Operations of Imperial Rome, Cleopatra’s Power and the Meaning of a Crocodile
15. Intersections and Encounters: The Meshwork of an International Australian/Jordanian Puppet Theatre Collaboration
16. Conclusion: Provocations for Educators and Practitioners
Index