دانلود کتاب When Music Takes Over in Film

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Foreword
Acknowledgments
Praise for When Music Takes Over in Film
Contents
Notes on Contributors
List of Figures
1 From Unheard to Meaningful: When Music Takes Over in Film
References
Part I What The Musical Moment Can Do—Theoretical Approaches
2 Dark Times: Fabulation, Synchrony, and the Musical Moment Reprised
Notes
Filmography
3 The Acoustic Wound: Reflections on the Crystal-Song in Five American Films
The Title Song: American Honey and Beautiful Boy
The Song that the Characters Talk About: Lady Bird
The Anachronic Song: Call Me by Your Name
The Song Without Words: La La Land
Conclusion
Notes
Filmography
Part II How The Musical Moment Was Created—Musical Numbers in Silent and Early Sound Cinema
4 Musical Moments as Narrative and Emotional Catalysts in Three Silent Films by Jacques Feyder
Visages d’enfants
Gribiche
Les Nouveaux Messieurs
Conclusion
Notes
Filmography
5 The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema
Introduction
Austrian Silent Cinema’s Sexual Moments
Abstraction and Sexuality
Seine Hoheit, der Eintänzer
Ein Walzertraum
Conclusion
Notes
Filmography
6 All Singing! All Talking! All British! Musical Moments in Early British Talkies 1929 to 1932
Musical Moments Before Musicals
British Musical Revues
Britain’s First Musicals and the Rise of the Star Tenor
Working Class Culture and Musical Tastes: The Rise of Gracie Fields
Conclusion
Notes
Filmography
Part III Musical Dis/Placements—Musical Moments in Global Cinema
7 Musical Numbers in Bollywood Cinema’s Homeland and Diaspora
Musical Numbers and Textual Analysis
Purab Aur Pachhim and Des Pardesh
Musical Numbers in the 2000s
Conclusion
Notes
Filmography
8 The Afterlife of Continental Romance: Musical Moments in Ichikawa Kon’s Passion Without End (1949) and Fragrance of the Night (1951)
Ichikawa Kon, Yamaguchi Yoshiko, and Post-war Romantic Melodrama
Passion Without End and a Dream Left in the Continent
Fragrance of the Night and Affective Reorientation
Conclusion
Notes
Filmography
9 Redemption Songs: Musical Moments in Joseph Gaï Ramaka’s Karmen Geï (2001) and Flora Gomes’s Nha Fala (2002)
Overture
Act I: The Griot, Song and Cinema
Act II: Karmen Geï
Interlude: From Death to Resurrection
Act III: Nha Fala (My Voice)
Finale
Notes
Filmography
10 ‘No Hay Nada Que Celebrar’: Music, Migration, and Violence in Luis Estrada’s El Infierno (2010)
Text
Musical Moments, Mexican Cinema’s Narcoscape, and El Infierno
‘Don’t Come Back’: ‘México-Americano’ and Benny’s Deportation
‘El Crimen De Culiacán’ and Benny, Cartel Assassin
Conclusion
Notes
Filmography
Part IV From Romance to Dystopia
11 Can You Hear the Love Tonight? Creating Cinematic Romance with Diegetic Songs
Experiencing Cinematic Romance
The Romance of Cinematic Song Moments
Romantic Performance Moments
Professional Stage Performances
Intimate Singing
Public Confession Songs
Joint Listening
Conclusion
Notes
Filmography
12 Desperately Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016)
I
II
Conclusion
Filmography
Index