دانلود کتاب Women Through the Lens: Gender and Nation in a Century of Chinese Cinema

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Contents\nAcknowledgments\nIntroduction\nPART ONE: EARLY PRODUCTION\n1. From Shadow-Play to a National Cinema\n2. Reconstructing History: The (Im)possible Engagement between Feminism and Postmodernism in Stanley Kwan’s Center Stage\nPART TWO: SOCIALIST CINEMA\n3. Constructing and Consuming the Revolutionary Narratives\n4. Gender Politics and Socialist Discourse in Xie Jin’s The Red Detachment of Women\nPART THREE: THE NEWWAVE\n5. Screening China: National Allegories and International Receptions\n6. The Search for Male Masculinity and Sexuality in Zhang Yimou’s Ju Dou\n7. Subjected Body and Gendered Identity: Female Impersonation in Chen Kaige’s Farewell My Concubine\nPART FOUR: WOMEN’S FILMS\n8. Feminism with Chinese Characteristics?\n9. Desire in Difference: Female Voice and Point of View in Hu Mei’s Army Nurse\n10. Transgender Masquerading in Huang Shuqin’s Human,Woman, Demon\nPostscript\nFilmography\nNotes\nWorks Cited\nIndex